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Vaudeville old & new
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Herrmann the Great - A Journey through Media
Lithe of build, graceful of tongue and carriage, dark, piercing eyes, and facial features cast from a prince of the underworld, Alexander Herrmann embodied the word "magician." His persona permeated the popular culture of his day, and his image still holds power in our present societal subconscious as the archetypal conjurer. A mesmeric personality both on and off the stage, he was ever the theatrical magician, ever the exhibitor of his craft. The book is intended to be a journey of Herrmann through the lens of his audience, as projected through the newsprint of the day. It does not seek to delve behind the scenes, but to hopefully paint a picture on the canvas of the goal of his craft - mystifying vast audiences of theatrical patrons. A fascinating progression of Herrmann's art and influence, as well as a glimpse of the ubiquitous theater and its value in bygone American culture.
Magic
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Magic
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The Linking Ring
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Studies in Catullan Verse
Chronicles the French revolution, from the gathering of the Estates-General, after one-hundred-twenty-five years of silence, to disunity within the Committee of Public Safety, The fall of Robespierre, and the end of the Reign of Terror.
The Anglo-Saxons
The popular notion that sees the Anglo-Saxon era as “The Dark Ages” perhaps has tended to obscure for many people the creations and strengths of that time. This collection, in examining many aspects of pre-Norman Britain, helps to illuminate how Anglo-Saxon society contributed to the continuity of knowledge between the ancient world and the modern world. But as well, it posits a view of that society in its own distinctive terms to show how it developed as a synthesis of radically different cultures. The Bayeux Tapestry is examined for its underlying political motivations; the study of Old English literature is extended to such works as laws, charters, apocryphal literature, saints’ liv...
The Cinema of Tod Browning
As a director, actor, writer and producer, Tod Browning was one of the most dynamic Hollywood figures during the birth of commercial cinema. Known for his fantastic collaborations with Lon Chaney in numerous silents, and for directing the horror classic Dracula and the still-controversial Freaks, Browning has been called "the Edgar Allan Poe of the cinema." Despite not entering the profession until he began acting in his early thirties, he went on to helm more than 60 films in a 25-year career. His work continues to influence directors such as David Lynch, John Waters, and Alejandro Jodorowsky. These essays critically explore such topics as the connection between Browning, Poe and Kant; Browning's cinematic techniques; disability; masochism; sound and suspense; duality; parenthood; narrative and cinematic trickery; George Melford; surrealism; and the occult. A Browning filmography is included.
The Making of Horror Movies
A fascinating journey through society’s changing preoccupations as reflected in horror films—plus profiles of the genre’s top actors and directors. It wasn’t until 1973 that a horror film—The Exorcist—was nominated for an Oscar for Best Picture, and critics are still divided today, many regarding them with amused condescension. The public’s view is also sharply divided. Some cinema-goers revel in the thought of being made very, very afraid, while others avoid horror films because they don’t want to be frightened. This guide, which is for both the fan and the more fainthearted, steers an illuminating path through a genre that has, since the early days of cinema, split off into...
