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Stephen M. Sexton
  • Language: en
  • Pages: 2

Stephen M. Sexton

  • Type: Book
  • -
  • Published: 1906
  • -
  • Publisher: Unknown

None

Charles M. Sexton
  • Language: en
  • Pages: 2

Charles M. Sexton

  • Type: Book
  • -
  • Published: 1906
  • -
  • Publisher: Unknown

None

Stephen M. Sexton
  • Language: en
  • Pages: 1

Stephen M. Sexton

  • Type: Book
  • -
  • Published: 1906
  • -
  • Publisher: Unknown

None

Charles M. Sexton
  • Language: en
  • Pages: 1

Charles M. Sexton

  • Type: Book
  • -
  • Published: 1906
  • -
  • Publisher: Unknown

None

Anne Sexton
  • Language: en
  • Pages: 170

Anne Sexton

Winner of the 2008 Critics' Choice Award presented by the American Educational Studies Association A Pulitzer Prize–winning poet who confessed the unrelenting anguish of addiction and depression, Anne Sexton (1928–1974) was also a dedicated teacher. In this book, Paula M. Salvio opens up Sexton's classroom, uncovering a teacher who willfully demonstrated that the personal could also be plural. Looking at how Sexton framed and used the personal in teaching and learning, Salvio considers the extent to which our histories—both personal and social—exert their influence on teaching. In doing so, she situates the teaching life of Anne Sexton at the center of some of the key problems and qu...

Charles M. Sexton. June 29, 1906. -- Ordered to be Printed
  • Language: en
  • Pages: 1
Stephen M. Sexton. April 26, 1906. -- Ordered to be Printed
  • Language: en
  • Pages: 1
The Equivalents
  • Language: en
  • Pages: 400

The Equivalents

  • Type: Book
  • -
  • Published: 2020-05-19
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  • Publisher: Vintage

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD In 1960, Harvard’s sister college, Radcliffe, announced the founding of an Institute for Independent Study, a “messy experiment” in women’s education that offered paid fellowships to those with a PhD or “the equivalent” in artistic achievement. Five of the women who received fellowships—poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen—quickly formed deep bonds with one another that would inspire and sustain their most ambitious work. They called themselves “the Equivalents.” Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving narrative of friendship and ambition, art and activism, love and heartbreak, and shows how the institute spoke to the condition of women on the cusp of liberation. “Rich and powerful. . . . A love story about art and female friendship.” —Harper’s Magazine “Reads like a novel, and an intense one at that. . . . The Equivalents is an observant, thoughtful and energetic account.” —Margaret Atwood, The Globe and Mail (Toronto)