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The George & Anna M. (Wagner) Wagner Family
  • Language: en

The George & Anna M. (Wagner) Wagner Family

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

None

Volkswagen
  • Language: en
  • Pages: 84

Volkswagen

Over 80 illustrations. This volume follows the amazing history of the Volkswagen Beetle, the popular bug which has become an American icon. Starting with its beginnings in pre-World War II Germany and its introduction into the United States in 1949, the story of how it came to be embraced by the American motoring public unfolds. Also featured are the distinctive Karmann Ghia, the beautiful Hebmuller cabriolet, the Microbus, and the Type III Notchback, Squareback, and Fastback models. This absorbing tale, illustrated with 88 full-color photographs, comes to its conclusion with the debut of the sleek and racy New Beetle.

I'm Wagner Doing Wagner Things
  • Language: en
  • Pages: 120

I'm Wagner Doing Wagner Things

  • Type: Book
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  • Published: 2020-11-10
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  • Publisher: Unknown

I'M Wagner Doing Wagner Things Lined journal Gift, 120 pages, Birthday gifts for Women, Perfect Notebook Gift for Wagner 120 pages 6 x 9 Perfect size for all purposes

Discovering
  • Language: en
  • Pages: 42

Discovering "The Wagner, Waggoner, Wagoner Family History-genealogy 1941 Book"

  • Type: Book
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  • Published: 1978
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  • Publisher: Unknown

None

Wagner's Melodies
  • Language: en
  • Pages: 463

Wagner's Melodies

Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.

Wagner
  • Language: en
  • Pages: 368

Wagner

Wagner is one of the most controversial of composers, and much that has been written about him--including his autobiography--is misleading. Barry Millington draws on the best previous scholarship and his own original research to set the record straight. The first part of this book is devoted to biography; the second, to a detailed study of the operas. Millington offers a historical review of the critical interpretation of each opera, including a discussion of recent methods of formal analysis. In this revised edition, two chapters, those on Tannhauser and Die Meistersinger, include significant new material. The bibliography has also been updated.

Richard Wagner and His World
  • Language: en
  • Pages: 560

Richard Wagner and His World

Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tr...

The Art of Matt Wagner's Grendel
  • Language: en
  • Pages: 212

The Art of Matt Wagner's Grendel

  • Categories: Art

Over two and a half decades, what began as the story of Hunter Rose, the talented young author who became the city's most feared assassin and criminal overlord, evolved into a prolonged examination of authority, society, and that dark mechanism of nature — violence. Now, take a step inside one of the most daring comic book projects ever created as Matt Wagner guides you through the artwork that changed contemporary comics forever. As beautiful and graceful as it is thrilling and surprising, each piece — many seen for the first time or previously long out of print — brings you deeper into the seductive mystery that is Grendel.

  • Language: en
  • Pages: 338

"Manet, Wagner, and the Musical Culture of Their Time "

  • Type: Book
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  • Published: 2017-07-05
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  • Publisher: Routledge

How did the tumult caused by German composer Richard Wagner result in the first modernist painting? In the first full-length book dedicated to the study of Edouard Manet and music, art historian Therese Dolan demonstrates that the 1862 painting Music in the Tuileries represents the progressive musical culture of his time, heretofore read by scholars predominantly through the words of Charles Baudelaire. Dolan sees in this painting's radical style the conceptual shift to modernism in both painting and music, a transition that, she convincingly argues, received a strong impetus from Manet's Music in the Tuileries and Wagner's controversial Tannh?er, which premiered the previous year. Supplemental to analysis of the painting, Dolan incorporates discussion of texts by Theophile Gautier, Champfleury, and Baudelaire who are represented in the painting. This book incorporates studies of the major artistic, literary, and musical figures of nineteenth-century France. It represents an important contribution to an understanding of French culture in the third quarter of the nineteenth century, a period of intense literary, artistic, and musical activity that formed the crucible for modernism.

The Cambridge Companion to Wagner
  • Language: en
  • Pages: 692

The Cambridge Companion to Wagner

Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact. Contributions by specialists from such varied fields as musical history, German literature and cultural studies, opera production, and political science consider a range of topics, from trends and problems in the history of stage production to the representations of gender and sexuality. With the inclusion of invaluable and reliably up-to-date biographical data, this collection will be of great interest to scholars, students, and enthusiasts.