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Personal experiences underlie a biography of observations in which the author examines himself from a sociological perspective and reflects on the sights, sounds, and civilization of Europe and the United States
Ardor, inspiration, the soul, the sublime: Such terms have long since fallen from favor among critics and artists alike. In his new collection of essays, Adam Zagajewski continues his efforts to reclaim for art not just the terms but the scanted spiritual dimension of modern human existence that they stake out. Bringing gravity and grace to his meditations on art, society, and history, Zagajewski wears his erudition lightly, with a disarming blend of modesty and humor. His topics range from autobiography (his first visit to a post-Soviet Lvov after childhood exile; his illicit readings of Nietzsche in Communist Poland); to considerations of artist friends past and present (Zbigniew Herbert, ...
[Zagajewski] is in some sense a pilgrim, a seeker, a celebrant in search of the divine, the unchanging, the absolute. His poems are filled with radiant moments of plenitude. They are spiritual emblems, hymns to the unknown, levers for transcendence. --Edward Hirsch, Doubletake. Zagajewski deserves the attention of readers accustomed to swerve away from poetry. And moreover, he is good: the unmistakable quality of the real thing -- a sunlike force that wilts clichés and bollixes the categories of expectation -- manifests itself powerfully through able translation. --Robert Pinsky, The New Republic.
Thomas, the child-protagonist of The Issa Valley, is subject to both the contradictions of nature in this severe northern setting and sometimes enchanting, sometimes brutal timbre of village life. There are the deep pine and spruce forests, the grouse and the deer, and the hunter's gun. There is Magdalena, the beautiful mistress of the village priest, whose suicide unleashes her ghost to haunt the parish. There are also the loving grandparents with whom Thomas lives, who provide a balance of the not-quite-Dostoevskian devils that visit the villagers. In the end, Thomas is severed from his childhood and the Issa River, and leaves prepared for adventures beyond his valley. Poetic and richly imagined, The Issa Valley is a masterful work of fiction from one of our greatest living poets.
Sonka is the story of an old woman, lonely, forgotten, and shunned by her community, until one day a theater director's car breaks down near her house, and an unexpected guest supplies her with the chance to tell her story. And so unfolds her tale of love between an SS officer and a local girl against the backdrop of the Second World War. Everyday chores are threaded with executions, stolen moments in between episodes of abuse, lies are thoughtlessly uttered only to change the worlds and lives of two families forever.
I love to swim in the sea, which keeps talking to itself in the monotone of a vagabond who no longer recalls exactly how long he's been on the road. Swimming is like prayer: palms join and part, join and part, almost without end. --from "On Swimming" Without End draws from each of Adam Zagajewski's English-language collections, both in and out of print--Tremor, Canvas, and Mysticism for Beginners--and features new work that is among his most refreshing and rewarding. These poems, lucidly translated, share the vocation that allows us, in Zagajewski's words, "to experience astonishment and to stop still in that astonishment for a long moment or two."
This rich collection brings together the work of eight leading scholars to examine the history of Polish-American workers, women, families, and politics.
"In 1947, a man is found shot to death in an old military bunker near the Brenner Pass that links Italy to Austria. His papers claim him to be a farm labourer; the scars on his face could only have come from duelling, the mark of a man who was once a member of a German student fraternity. He is Dr. Gerhard Bast, lawyer, athlete, former head of the Gestapo in the Austrian city of Linz and a wanted war criminal. A few years before, his affair with a married woman led to the birth of a son, Martin Pollack, who in his maturity sets out to discover the truth about his father." "Martin Pollack reveals that his loving grandparents, with whom he spent long and happy holidays as a child, were ardent ...