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This analytical history traces representations of flamenco dance in Spain and abroad from the twentieth century to the present, using histories, film, accounts of live performances, and practitioner interviews. Beginning with an analysis of flamenco historiography, the text examines images of the female dancer in films by Luis Buñuel, Carlos Saura, and Antonio Gades; stereotypes of flamenco bodies and Andalusian culture in Prosper Mérimée’s Carmen; and the ways in which contemporary flamenco dancers like Belén Maya and Rocío Molina negotiate the stereotype of Carmen and an idealized Spanish feminine that pervades “traditional” flamenco. Instructors considering this book for use in a course may request an examination copy here.
Australians have been transported to an imaginary Spain from at least the 1830s, when cachuchas were first danced on the Sydney stage. In Take Me to Spain John Whiteoak explores the rich tapestry of Australians’ fascination with all thing Spanish, from the voluptuous sensuality of Lola Montez to operas featuring señoritas, toreadors and Gypsies, and from evocative silent and later Spain-themed Hollywood movies to the dazzlingly creative artistry of the flamenco dancers and guitarists who toured Australia in the 1960s and ’70s. Examining the diverse ways that Spanish music and dance have been mediated or hybridised to cater for Australian popular taste, this landmark study reveals how Hispanic traditions have become integral to the cultural history of the nation.
The range and scope of subjects is reflective of the diverse vantage points that such an eclectic group of practitioners bring to a discussion, within the visual aspects of performance practice.
The second edition of this collection of 13 original papers contains an updated introductory section detailing the significance that the original articles published in 1992 have for the further development of research into linguistic politeness into the 21st century. The original articles focus on the phenomenon of politeness in language. They present the most important problems in developing a theory of linguistic politeness, which must deal with the crucial differences between lay notions of politeness in different cultures and the term 'politeness' as a concept within a theory of linguistic politeness. The universal validity of the term itself is called into question, as are models such a...
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
The discerning guide to beautiful places to stay in Victoria and Tasmania including B&B¿s, small hotels, beach houses, cottages, eco retreats, apartments and day spas.Sixth Edition 2005
First comprehensive overview of improvisation in dance.
This literary work of non-fiction is based on the author's personal journeys alone. He backpacked to the coasts of the country, across the American continent, to London, England, Paris, France and Schwarzwald, Germany. And also to Andalusia, Spain, and Siberia, Russia. Above all, he cannot forget the simple-hearted pilgrimage to Siberia on the Trans-Siberian Railway. He journeyed alone, sometimes meditating on writing, and sometimes on the journey itself. He saw and felt flamenco through his journey into Andalusia, and stepped on the snow-covered birch forest in Siberia that he longed for. Writing this book, JOURNEY INTO DEEP LANSCAPES, he recalled a few of words of Annie Dillard: “Write a...