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A beautiful, sad and funny collection of stories of the undervalued, the quietly heroic and the oppressed.
Lisa is tasked with bringing Maeve, her family's misbehaving calf, to the village show in order to compete for a prize.
This book explores teacher well-being in light of the increasingly ethnically diverse profiles of schools and classrooms, focusing on socially and linguistically diverse teaching contexts. It draws attention to the socio-economic disadvantages that can often be characteristic of ethnically diverse classrooms, prior to examining and reviewing the interconnections between teacher well-being and the implementation of pedagogical processes in the classroom teaching and learning context. Teachers and academics alike report on and address the well-being-related needs of practising teachers. This book contributes to the emerging field of literature on teacher well-being and offers international perspectives on lessons learnt in socially diverse and multilingual teaching contexts. Accordingly, it offers a valuable resource for teacher educators, researchers, pre-service and in-service teachers, and policymakers.
In Heather B. Moore’s enthralling 1840s historical romance, Heart of the Ocean, Eliza Robinson has turned down the very pretentious Mr. Thomas Beesley’s marriage proposal. As a business partner of Eliza’s father, Thomas quickly discredits the family and brings disgrace to the Robinson name. While her father scrambles to restore his good name in New York City, Eliza flees to the remote Puritan town of Maybrook to stay with her Aunt Maeve. Although relieved to be away from all- things-male and unforgiving gossip columns, odd things start to happen to Eliza, and she is plagued by a ghostly voice. Her aunt’s explanation? That Eliza is being haunted by a woman who died of a broken heart twenty years ago. After Aunt Maeve is tragically killed, Eliza's life is put in danger as she tries to uncover the mystery of her aunt's death. She encounters Jonathan Porter in Maybrook, whose presence in the town seems suspicious, yet she finds herself drawn to him. When she discovers that Jonathan’s dark secrets may be the link between the dead woman who haunts her and her aunt’s murderer, Eliza realizes that Jonathan is the one man she should never trust.
Paladin is the conclusion of The Interregnum Series (Book 7), continuing its account of Hibernia's royalty from 1473 to date. After being discharged, half-burned and lacking memories, Lilian Morgan emerges at the Dublin City Dump. She knows only that she must keep the repentant Cain (Samadeya) on task with his millennia-old assignment of thwarting the enemy Pelik--alternate and unrepentant continuation of Cain--in his agenda of death and destruction. Discipline is swift and brutal when she departs from the mission. Lilian also shares one of the Cain curses: returning after death to some reorganised portion of her body. Paladin also completes The Throne Series (Book 4), re-telling in interleaved chapters the First Battle of Glenmorgan and the destruction of Manse Devereaux. Interregnum characters approach a new battle at Glenmorgan that will decide the outcome of Tara's civil war. Conflict and treachery at Tara threaten one Earth civilization with extinction. Pelik schemes for power over two other worlds...and springs a trap.
The papers assembled in this volume explore a relatively new area in scholarship on the ancient novel: the relationship between an ostensibly non-philosophical genre and philosophy. This approach opens up several original themes for further research and debate. Platonising fiction was popular in the Second Sophistic and it took a variety of forms, ranging from the intertextual to the allegorical, and discussions of the origins of the novel-genre in antiquity have centred on the role of Socratic dialogue in general and Plato's dialogues in particular as important precursors. The papers in this collection cover a variety of genres, ranging from the Greek and Roman novels to utopian narratives and fictional biographies, and seek by diverse methods to detect philosophical resonances in these texts.
An emotional story of love, betrayal, friendship, and family from #1 New York Times bestselling author Maeve Binchy. David Power and Clare O'Brien both grew up dreaming of escape from the battered seaside town of Castlebay, Ireland, but they might as well have had the ocean between them. David is the cherished son of a prosperous doctor, while Clare lives with her large family behind their faltering store, longing for a moment of quiet to study. When they both go to university in Dublin—he as a matter of course, she on a hard-won scholarship—their worlds collide. They find freedom in each other—until the families, lovers, and secrets they left in Castlebay come back to haunt them... “Laughter and tears, it’s what Binchy does best.”—San Francisco Chronicle Book Review “The Castlebay Maeve Binchy creates is a marvelous place.”—The New York Times Book Review
For once, these men are the objects; I am the subject. Me, me, me. Rosemary Mac Cabe was always a serial monogamist – never happier than when she was in a relationship or, at the very least, on the way to being in one. But in her desperate search for ‘the one’ – from first love to first lust, through a series of disappointments and the searing sting of heartbreak – she learned that finding love might mean losing herself along the way. This Is Not About You is a life story in a series of love stories. About Henry, with the big nose and the lovely mum, with whom sex was like having a verruca frozen off in the doctor’s surgery: ‘uncomfortable, but I had entered into this willingly’. About Dan, with the goatee. About Luke, who gave her a split condom. About Frank, who was married... But mostly, it’s about Rosemary, figuring out just how much she was willing to sacrifice for her happy ending.