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Africa in the Bengali Imagination
This book examines textual representations of Africa in the Indian imagination from 1928 to 1973. It critically analyses Bengali literature during this period, their imitation of colonial racial prejudices and how it allowed Bengalis to fashion their identity. It analyses the development of ‘Africa’ as an idea and historical reality through the writings of five Bengali writers including the Bengali novelist Bibhutibhushan Bandyopadhyay, the children’s author Hemendra Kumar Roy, the poet and philosopher Rabindranath Tagore, the playwright Ganesh Bagchi and the surrealist poet and founding editor of Transition magazine Rajat Neogy. The book shows how these writers engage with the idea of...
Graphic Narratives about South Asia and South Asian America
This book explores the field of Comics Studies in South Asia, illuminating an art form in which there has been a much-documented explosion of recent interest. A diverse group of scholars from Asia, Europe, and North America examine aesthetics, politics, and ideology in sequential art about South Asia and South Asian America. The book features contributions which address gender violence; authoritarian politics; caste discrimination; environmentalism; racism; and urban street art, amongst others. The unique interdisciplinary span of the volume considers mass popular comic books as well as the graphic novel. This edited volume would be of interest to those studying the influence of graphic novels, graphic narratives, and comic books in South Asia, as well as researchers interested in what these forms might have to say about important issues in society. This book was originally published as a special issue of the South Asian Review journal.
Tragedy and Postcolonial Literature
Provides a new way of reading Western tragedy alongside texts from the postcolonial world so as to cross-illuminate each other.
Eastern African Literatures
The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. This volume offers an overview of contemporary Eastern African writing in English since the mid-twentieth century. It takes a fresh look at what has been an under-represented regional literary tradition within what continues to be an under-represented continental literary tradition. In particular, it broadens the scope of such an overview, complementing the extant monographs on well-known Eastern African writers such as Ngũgĩ to include a host of more recent, l...
Bangladeshi Migrants in India
In January 2011, Felani Khatun was shot dead while attempting to cross the border from India to Bangladesh. Her body remained hung on the fence as a warning to those who illegally crossed an international border. Migration to India from the current geographical and political entity called Bangladesh is more than a century old and had begun long before the nation states were created in South Asia. Often termed as ‘foreigners’ and ‘infiltrators’, Bangladeshi migrants such as Felani find their way into India for the promise of a better future. Post 1971, there has been a steady movement of people from Bangladesh into India, both as refugees and for economic need, making this migration a...
A History of Bangladesh
A revised and updated edition of Willem van Schendel's state-of-the-art history, revealing the vibrant and colourful past of Bangladesh.
Desi Delicacies
The kitchen is often the heart of South Asian homes. Muslim South Asian kitchens, in particular, are the engines of an entire culture. The alchemy that takes place within them affects nations and economies, politics and history, and of course human relationships. There is proof of it in Desi Delicacies, Claire Chambers’ anthology of essays, stories and recipes supplied by some of the region’s most well-loved writers, historians and chefs. An unexpected revelation awaits Nadeem Aslam in a London restaurant as he yearns for a special delicacy from Pakistan. Rana Safvi recounts the history of Awadhi cooking and the origins of qorma, while Sadaf Hussain tells us how the samosa came to be pai...
Sand in the Castle
From dancing to masking, the Pakistani woman drudges through in her search for home. In this collection of eleven short stories, author Syrrina Haque explores the concept of home. Is home a physical entity or a spiritual domain? For some people, is home merely a facade? Demonstrating the diversity of the socio-cultural terrain of Pakistan, these stories of life revolve around the theme of physical, spiritual, and psychological displacement and how this relates to the concept of home. In "From Boundaries to Boundaries," a thirty-nine-year-old mother of three leaves her abusive husband and Pakistani home for Canada; she hopes for a fresh beginning and a break from her past. In "Burka," thirteen-year-old Burka-clad Gulbano flees her home to escape marrying a fifty-year-old Talib-but her fate is worse than she could have imagined. These true-to-life characters search for new horizons to appease their hidden side and arrive at castles built with only with sand. They try to traverse from boundary to boundary in search of a destination, but they find themselves entrapped in their own cocoons."
The Cinema of Satyajit Ray
Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghhar, among others, Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the 'doubly colonised', and his attack and critique of the Bengali/Indian middle class of today. The most comprehensive treatment of Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century.
Moses Ascending
Sam Selvon�s Moses Ascending depicts West Indian Immigration in England. Moses, a Trinidadian who has been in England for some years now represents immigrants who come from all corners of the world to seek a better life. Like many immigrants he is hard-working. After years of living in a dingy basement he saves up enough money to buy a house. Moses calls this his dream house in the beginning of the book but later on he realizes that the house is a piece of garbage.
