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Makam Muzik
Makam Music Magazine is the representative of the Turkish Music in printed press. Makam Music Magazine addresses a wide range of topics on every page of it, related to Turkish music, including its journey of music over time, its types, performers, educators, instruments and concert venues. In every issue, Makam Music Magazine also aims to increase international awareness about Turkish music by means of interviews with the people and organizations making Turkish Music in foreign countries and by addresing the interaction between the music of that country and Turkish Music.
Creating Global Music in Turkey
Creating Global Music in Turkey mainly analyzes how the local and global interact in the very place that is defined as the "local" by the global cultural system. It examines the different music traditions in Turkey as they are incorporated into the world music markets.
Music and Liturgy, Identity and Formation
Music and Liturgy, Identity and Formation is a one-of-a-kind book about All Saints Moda Church in Istanbul. In this book, Sue Whittaker explores the ways Dr. Turgay Ücal, the MBB founding pastor, has intuitively blended Christian faith and the local urban culture. Indigenous songs and adaptations of Reformed liturgy work together to enable worshipers to feel comfortable with Christianity. Images, customs, and gestures guide seekers into new ways to pray and live their lives. Turgay’s theologically sound approach provides a welcoming Christian home for Muslims searching to connect to Allah/God. For thirty years, the practices and strategies detailed in this book have merged to clearly present the gospel message in culturally appropriate ways. The principles of the All Saints Moda Church model of inculturation can be applied to Christian ministry among Muslims in all countries and cultures worldwide.
Müzik'te stratejik yaklaşımlar uluslararası sempozyumu bildiriler kitabı
MÜZDAK, her yıl düzenlediği ulusal/uluslararası sempozyumlarla; müziğin güncel sorunlarına ve diğer toplum bilimler ile olan ilişkilerine değinen akademisyenlerin, çalışmalarına yer vermektedir. İstenir ki; “herkesin boş vakti olsun, ama boşa harcayacak vakti olmasın.” Hekimler, Alzeimer adaylarına; “Her gün, küçük de olsa yeni bir şeyler öğrenin” dermiş, demek ki, öğrenmenin sonu yoktur ve "sağlıklı olan her kişi, her gün yeni bir şey öğrenmelidir.” "25.İstanbul Türk Müziği Festivali" kapsamında hazırlanan sempozyum "Müzik'te; Stratejik Yaklaşımlar Uluslararası Sempozyumu" başlığı ve "Eğitim, Kurumlar, Kültür Politikaları, Y...
Music of the Ottoman Court
This work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers' accounts and iconography, to present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music from the early 17th to the mid-18th centuries.
How Language Speaks to Music
Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral tr...
Global Popular Music
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencin...
Music Performance Encounters
Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? To what extent is the act of musical performance coextensive with the act of doing musical research, and vice versa? At what point in the research process can a performative act transform into a scholarly one, and a scholarly act into a performative one? These, and other related questions, form the central focus of this book, with each chapter offering a fresh perspective on a particular topic in music performance studies: improvisational traditions, historical performance practices, analysis and performance, sports psychology, cross-cultural musical interactions, and institutional challeng...
The Oxford Handbook of Music and the Brain
The study of music and the brain can be traced back to the work of Gall in the 18th century, continuing with John Hughlings Jackson, August Knoblauch, Richard Wallaschek, and others. These early researchers were interested in localizing musicality in the brain and learning more about how music is processed in both healthy individuals and those with dysfunctions of various kinds. Since then, the research literature has mushroomed, especially in the latter part of the 20th and early 21st centuries. The Oxford Handbook of Music and the Brain is a groundbreaking compendium of current research on music in the human brain. It brings together an international roster of 54 authors from 13 countries ...
