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SEORANG pengarang novel cuba menulis naskhah terbaharu. Malangnya, gejala writers block melanda. Suatu masa... dalam keadaan separa sedar ketika terlena, dia terlihat seseorang menggunakan komputer ribanya. Namun kelibat orang itu samar-samar. Sebuah cerita yang siap ditaip terpamer pada skrin. Sebuah kisah yang mengujakan, tetapi bukan dia penulisnya. Teorinya – mungkin dia ada berkarya tanpa disedari, tetapi minda logiknya ragu-ragu. Satu demi satu cerita baharu ditemui lagi dalam komputer ribanya. Dia semakin galak mencuri idea-idea tersebut. Gaya dan teknik penceritaan memang menyerupai cara dia berkarya. Dia semakin seronok mengakui semua cerita itu adalah miliknya. Kemudian... semakin banyak kejadian pelik yang mengitari kehidupannya. Dia diburu sesuatu yang meremangkan bulu roma. Ada bahana muncul bertubi-tubi. Siapa suspek yang bertanggungjawab menghuru-harakan kehidupannya? RAMLEE AWANG MURSHID ada sebuah rahsia yang lama dipendamkan. Rahsia dirinya sendiri sejak bergelar seorang penulis novel. Lama-kelamaan... andai belenggu misteri yang menggelisahkan ini tidak dirungkaikan segera, maka berakhirlah kariernya...
This is the first major study to bring together for examination all of Conrad's Malay fiction: the early novels, Almayer's Folly , An Outcast of the Islands , and Lord Jim ; the two later novels, Victory and The Rescue ; and various short stories, such as The Lagoon and Karain . The volume focuses on cross-cultural encounters, cultural identity and cultural dislocation, paying particular attention to issues of race and gender. He also situates Conrad's fiction in relation to earlier English accounts of South-East Asia.
LONGLISTED FOR THE MAN BOOKER PRIZE Penang, 1939. Being half Chinese and half English, Philip Hutton always felt like he never belonged. That is until he befriends Hayato Endo, a mysterious Japanese diplomat and master in the art of aikido. But when Japan invades Malaya, Philip realises Endo bears a secret, one powerful enough to jeopardise everything he loves. This masterful début conjures an unforgettable tale of courage, brutality, loyalty, deceit and love.
AKU AININ SOFIYA, hanya seorang pembantu rumah separuh masa. Tugasku bukan setakat mengemas rumah, malah urusan dapur diserahkan kepadaku. Buat pertama kalinya, asam pedasku mendapat pujian. Dalam diam, aku diintai oleh salah seorang anak majikanku, Ahmad Ziyad. Rupa-rupanya, asam pedasku menjadi kegemarannya. Namun tidak kusangka, dia ingin melamarku, hanya kerana ingin membantuku dari segi kewangan. Aku bukan mata duitan! Aku hanya bekerja di rumahnya dengan hasil usahaku sendiri. Setelah berfikir panjang, aku menerima lamarannya, tetapi dia meletakkan syarat. Perkahwinan ini harus dirahsiakan daripada pengetahuan keluarga dan teman wanitanya. Aku juga tidak dibenarkan hamil. Malah, aku tidak dimaafkan jika perkara itu berlaku. Sampai bila aku harus berlakon dan menyorok statusku? Jiwaku terseksa menjadi isteri rahsianya walaupun halal di sisi agama. Ziyad seolah-olah tidak memahami perasaanku. Hidupku terseksa dengan permainannya sehingga takdir menentukan aku hamil anaknya!
Amidst the Chinese-Malay conflict in Kuala Lumpur in 1969, sixteen-year-old Melati must overcome prejudice, violence, and her own OCD to find her way back to her mother.
The Routledge Companion to Joseph Conrad attests to the global significance and enduring importance of Conrad’s works, reception, and legacy. This volume brings together an international roster of scholars who consider his works in relation to biography, narrative, politics, women’s studies, comparative literature, and other forms of art. They offer approaches as diverse as re-examining Conrad’s sea voyages using newly available digital materials, analyzing his archipelagic narrative techniques, applying Chinese philosophy to Lord Jim, interrogating gendered epistemology in the neglected story “The Tale,” considering Conrad alongside W.E.B. Du Bois, Graham Greene, Virginia Woolf, or Orhan Pamuk, or alongside sound, gesture, opera, graphic novels, or contemporary events. An invaluable resource for students and scholars of Conrad and twentieth-century literature, this groundbreaking collection shows how Conrad’s works – their artistry, vision, and ideas – continue to challenge, perplex, and delight.
This book offers a variety of essays and perspectives on some of the foreigners and traders who came to the Malay World and wrote fiction and “faction” (writing that portrays real people or events in a dramatised manner) during their sojourn – regardless of whether they continued to stay in the region, returned to their home country, or migrated to another country. The essays tend to cross generic and disciplinary boundaries as the contributors of this book are drawn from various fields within the arts and humanities, including history, geography, language and literature and translation. All of them, however, deal with colonial texts, the Malay World, or primarily cover the period from...