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One of the Evening Standard's Best Non-fiction 2021. 'We knew that black and brown bodies, working class voices, women's voices, did not have a space where they could be heard - and so this writing collective was a necessary and political act' In the early years of the new millennium, poets Malika Booker and Roger Robinson saw the need for a space for writers outside of the establishment to grow, improve, discuss and learn. One Friday night, Malika offered her Brixton kitchen table as a meeting place. And so Malika's Poetry Kitchen was born. 'Kitchen', as it became known, has ushered in a new generation of voices, launching some of the most exciting writers, books and initiatives in British poetry in the past twenty years. Today, Kitchen is a thriving writers' collective, with a wealth of talented poets and branches in Chicago and India. Too Young, Too Loud, Too Different is a celebration of Kitchen's legacy, an appreciation of its foundational spirit and a rallying cry for all writers to dream the future. The collection features breathtaking new poems by Warsan Shire, Inua Ellams, Kayo Chingonyi, Dean Atta, Roger Robinson, Malika Booker among many others.
Ìgbà Èwe is a bilingual poetry collection, containing twenty-six Yorùbá translated poems side-by-side with the original English text first published in 2014 in a collection titled Childhood by the American philosopher and professor Emily R. Grosholz. Ìgbà Èwe was first published under the Tevani imprint of Ouida Books on June 30, 2021. Grosholz' Childhood has been described as "a brilliant poetry book about the joys and challenges of adoption, childhood and motherhood." The translated paperback volume by Nigerian writer and linguist Kọ́lá Túbọ̀sún also features illustrations on the cover and within the pages, done by the Nigerian writer Yemisi Aribisala. Prof. Remi Raji o...
Drawing on dramatic monologue, historical narratives, poetry of witness, and an integral intimate-domestic voice, this compilation portrays a visceral emotive patchwork of everyday dramas in the fabric of ordinary life. Written by a poet whose sense of rootedness shapes the dimensions of her work, it delves into a multiplicity of places, characters, locations, landscapes, and languages. From Grenada to the Heathrow airport, these poems are interconnected in a larger diasporic story.
At once an exploration of a man left hollow by fate, a dispatch from the frontline of identity politics, and a rumination on the legacy of migration and empires, Saffron Jack is the story of a man trying to find somewhere he might be himself.
“The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.” —Claudia Rankine in the New York Times The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes. An array of writers—including winners of the Pulitzer Prize, the T. S. Eliot Prize, and the National Book Award, as well as a couple of National Poets Laureate—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Danez Smith, Nikki Giovanni, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, Richard Powers, and Julia Glass are just a few of the contributing poets. This second edition includes Golden Shovel poems by two winners and six runners-up from an international student poetry competition judged by Nora Brooks Blakely, Gwendolyn Brooks’s daughter. The poems by these eight talented high school students add to Ms. Brooks’s legacy and contribute to the depth and breadth of this anthology.
This collection's title points to the underlying philosophy expressed in these poems: that earthly joy is, or ought to be, just within, but is often beyond our reach, denied by racism, misogyny, physical cruelty and those with the class power to deny others their share of worldly goods and pleasures.
Mack. Karim. Finlay. Mack never thought he'd find love, let alone with two people. Will he make the right choice? And can love last for ever? A must-read queer love story for fans of Sex Education, written in verse by Dean Atta. Fifteen-year-old Mack is a hopeless romantic - he blames the films he's grown up watching. He has liked Karim for as long as he can remember, and is ecstatic when Karim becomes his boyfriend - it feels like love. But when Mack's dad gets a job on a film in Scotland, Mack has to move, and soon hediscovers how painful love can be. It's horrible being so far away from Karim, but the worst part is that Karim doesn't make the effort to visit. Love shouldn't be only on the weekends. Then, when Mack meets actor Finlay on a film set, he experiences something powerful, a feeling like love at first sight. How long until he tells Karim - and when will his old life and new life collide?
Peter Kahn's debut collection Little Kings is an astonishing book of astute and deeply humane poetry, one which seeks to find in both teaching and learning a common ground, and between longing and belonging an equilibrium. Intuitive and wise, Kahn's poems remain compelling even when exploring those places where there is "no vocabulary for what might happen". Little Kings encompasses stories of the Jewish diaspora and of American life, interweaving narratives of escape and refuge, of yearning and absence. Some of these poems ricochet with the magnitude of loss and violence, with lives interrupted, half-lived, or vanished. Anchoring these poems is their immense grace and lyricism, and Kahn's great skill in tenderly carrying memory and experience into our shared understanding.
Revolutionary, reflective and romantic, I Am Nobody's Nigger is the powerful debut collection by one of the UK's finest emerging poets. Exploring race, identity and sexuality, Dean Atta shares his perspective on family, friendship, relationships and London life, from riots to one-night stands. Longlisted for the Polari First Book Prize 2014'Go Dean Atta. Speak the truth. Tweet the truth. Upload it. Let it ring out over the digital domain and strike at the heart of the offline wireless and disconnected.' Lemn Sissay 'Dean Atta's poetry is as honest as truth itself. He follows no trend; he seeks no favours ... Beyond black, beyond white, beyond straight, beyond gay, so I say. Love your eyes ov...