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The 1970s and 1980s saw a revolution in Japanese literary criticism. A new generation of scholars and critics, many of them veterans of 1960s political activism, arose in revolt against the largely positivistic methodologies that had hitherto dominated postwar literary studies. Creatively refashioning approaches taken from the field of linguistics, the new scholarship challenged orthodox interpretations, often introducing new methodologies in the process: structuralism, semiotics, and phenomenological linguistics, among others. The radical changes introduced then continue to reverberate today, shaping the way Japanese literature is studied both at home and abroad. The Linguistic Turn in Cont...
The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.
The boy of her dreams...is a girl's manga artist?! To the eyes of high school student Chiyo Sakura, classmate Umetarou Nozaki--brawny of build and brusque of tongue--is a dreamboat! When Chiyo finally works up the courage to tell Nozaki how she feels about him, she knows rejection is on the table...but getting recruited as a manga-ka's assistant?! Never in a million years! But for someone who makes a living drawing sweet girly romances, Nozaki-kun is a little slow on the uptake when it comes to matters of the heart in reality. And so Chiyo's daily life of manga making and heartache begins!
Beginning in the nineteenth century, law as practice, discourse, and ideology became a powerful means of reordering gender relations in modern nation-states and their colonies around the world. This volume puts developments in Japan and its empire in dialogue with this global phenomenon. Arguing against the popular stereotype of Japan as a non-litigious society, an international group of contributors from Japan, Taiwan, Germany, and the U.S., explores how in Japan and its colonies, as elsewhere in the modern world, law became a fundamental means of creating and regulating gendered subjects and social norms in the period from the 1870s to the 1950s. Rather than viewing legal discourse and the...
How can women’s rights be seen as a universal value rather than a Western value imposed upon the rest of the world? Addressing this question, Eileen Hunt Botting offers the first comparative study of writings by Mary Wollstonecraft and John Stuart Mill. Although Wollstonecraft and Mill were the primary philosophical architects of the view that women’s rights are human rights, Botting shows how non-Western thinkers have revised and internationalized their original theories since the nineteenth century. Botting explains why this revised and internationalized theory of women’s human rights—grown out of Wollstonecraft and Mill but stripped of their Eurocentric biases—is an important contribution to thinking about human rights in truly universal terms.
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Intersectional Incoherence stages an encounter between the critical discourse on intersectionality and texts produced by Korean subjects of the Japanese empire and their postwar descendants in Japan, known as Zainichi Koreans. Arguing for intersectionality as a reading method rather than strictly a tool of social analysis, Cindi Textor reads moments of illegibility and incoherent language in these texts as a product of the pressures on Zainichi Koreans and their literature to represent both Korean difference from and affinity with Japan. Rejecting linguistic norms and representational imperatives of identity categories, Textor instead demands that the reader grapple with the silent, absent, illegible, or unintelligible. Engaging with the incoherent, she argues, allows for a more ethical approach to texts, subjects, and communities that resist representation within existing paradigms.
The Umetarou Nozaki party heads for the sun and surf! When the group tags along for the drama club's training camp, summer fun runs amok, and seasonal gags abound, whether at the beach, at an inn, or even in the bath!! And if that's not enough drama, the story of the spring day Chiyo fell in love with a certain rather dense young man is finally told!
Drawing comics is hard work, as high school boy and shoujo manga-ka Umetarou Nozaki and his motley crew of friends-turned-assistants know well. But being a manga pro doesn't necessarily make Nozaki great at everything. In fact, Chiyo is about to discover that his talent just might be full of holes?! As it turns out, everyone's got some weaknesses, and nobody's perfect-not even school "prince" Kashima! And Chiyo doesn't get a pass either...because her greatest weakness is Nozaki himself!
This exquisite collection of short fiction by Sata Ineko (1904–1998) offers readers a fascinating glimpse into the lives of women rarely dignified in fiction: glamorous café waitresses, feisty communist activists, a tortured novelist, a soldier’s wife, and single women in Japan’s Korean colony. Her delicately penned portraits challenge the tired, erotic tropes of the geisha and schoolgirl, while delving into the dilemmas women themselves faced in their personal and professional relationships. The stories and novella translated here span a period of two decades and the most important events and themes in twentieth-century history. “Café Kyoto” (1929) takes up the glamorous, if tra...
It's Nozaki-kun's job to create characters, but he doesn't have to look very far for inspiration! Umetarou Nozaki, a high school student leading a double life as a popular shoujo manga-ka, is an extraordinary guy. This is hardly news to Chiyo, of course! But not to be outdone by Nozaki, the people around him are pretty unique too... There's a maiden-hearted playboy, a flighty former editor, a serious editor, an insomniac, an angel-voiced troublemaker, a hard-working drama club president, and the school prince who's actually a princess. With this colorful cast of characters vying for Nozaki's attention, Chiyo's got some tough competition ahead!