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Thinking About Exhibitions
An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
Gerhard Richter
This fascinating book offers unprecedented insight into artist Gerhard Richter's life and work. From his childhood in Nazi Germany to his time in the West during the turbulent 1960s and '70s, this work presents a complete portrait of the often-reclusive Richter.
L'Art au XXe siècle
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The Museum Establishment and Contemporary Art
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
The Postmodern Moment
This collection of original essays provides an intellectual, social, and historical background for the postmodern movement in the literary, visual, and performing arts in America today. Both creative expression and critical thought are examined in literature, painting and sculpture, dance, music, photography, architecture, theatre, and film. The author of each essay describes and analyzes the ways in which individuals become conscious of, represent, and ultimately assimilate changes in their respective art forms. Included in each essay is a synthesis of critical issues, as well as a discussion of representative figures and their works. Also, a broad bibliographic component supplements each essay, including discussions of resource materials, checklists, and a comprehensive annotated bibliography. In his introduction, editor Stanley Trachtenberg provides an overview of postmodernism. In addition, the volume contains an appendix of related European and Latin American expressions and a chronology of historical and cultural events and individual achievements.
Performance
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Secession
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Modern and Primitive Art
Return to the elemental - Search for the primitive - Abstraction and empathy - Picasso and Negro Art - Matisse or Vlaminck - Problems of form - Exchange of techniques - Exotic attraction of distant lands - Primitive art and German Expressionism - Surrealism and the art of the South Sea Islands.
