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National Identities and European Literatures
This volume of essays focuses on the configuration and the crisis of national and cultural identities in modern and contemporary Europe. Renowned contributors address the question of identity from various theoretical frames (Eagleton, Honneth, Bourdieu). The essays collected in the first and second part of the book study the relation between literature and culture as well as the decisive, yet ambiguous role that literature has played in the identitary processes of nations. The last part of the volume examines the history and the present relevance of specific identitary processes. Dieser Sammelband thematisiert die Entstehung und Entwicklung kultureller und nationaler Identitäten in Europa und die damit einhergehenden Krisen. Renommierte Forscher reflektieren das Thema Identität im Lichte verschiedener theoretischer Ansätze (Eagleton, Honneth, Bourdieu). In den Beiträgen der ersten beiden Teile erörtern sie die Wechselwirkungen von Literatur und Kultur sowie die Rolle, die der Literatur in nationalen Identitätsprozessen zukommt. Im letzten Teil werden Geschichte und Gegenwart einzelner Identitätsprozesse analysiert.
Velázquez, Painter & Curator
This book is the first to address the curatorial career of Diego Velázquez, painter to King Philip IV of Spain and chamberlain of his royal palace. It investigates the role that Velázquez played in overseeing the display of the Habsburg art collection, then the richest in the western world, and the role, in turn, that this practice played in his creative trajectory between his arrival at the Spanish court in 1623 and his death in 1660. This book thus recasts Velázquez’s career as an episode in the history of the curator.
Hamlet, Protestantism, and the Mourning of Contingency
Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.
Derrida, Badiou and the Formal Imperative
In this path-breaking study Christopher Norris proposes a transformed understanding of the much-exaggerated differences between analytic and continental philosophy. While keeping the analytic tradition squarely in view his book focuses on the work of Jacques Derrida and Alain Badiou, two of the most original and significant figures in the recent history of ideas. Norris argues that these thinkers have decisively reconfigured the terrain of contemporary philosophy and, between them, pointed a way beyond some of those seemingly intractable issues that have polarised debate on both sides of the notional rift between the analytic and continental traditions. In particular his book sets out to show - against the received analytic wisdom - that continental philosophy has its own analytic resources and is capable of bringing some much-needed fresh insight to bear on problems in philosophy of language, logic and mathematics. Norris provides not only a unique comparative account of Derrida's and Badiou's work but also a remarkably wide-ranging assessment of their joint contribution to philosophy's current - if widely resisted - potential for self-transformation.
Fear, Cultural Anxiety, and Transformation
This collection was inspired by the observation that film remakes offer us the opportunity to revisit important issues, stories, themes, and topics in a manner that is especially relevant and meaningful to contemporary audiences. Like mythic stories that are told again and again in differing ways, film remakes present us with updated perspectives on timeless ideas. While some remakes succeed and others fail aesthetically, they always say something about the culture in which_and for which_they are produced. Contributors explore the ways in which the fears of death, loss of self, and bodily violence have been expressed and then reinterpreted in such films and remakes as Invasion of the Body Sn...
