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Shakespeare and Wales
  • Language: en
  • Pages: 288

Shakespeare and Wales

  • Type: Book
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  • Published: 2016-04-01
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  • Publisher: Routledge

Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It explores the place of Wales in Shakespeare's drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare's major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spens...

U.S. Army Register
  • Language: en
  • Pages: 410

U.S. Army Register

  • Type: Book
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  • Published: 1968
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  • Publisher: Unknown

None

Believing in Shakespeare
  • Language: en
  • Pages: 337

Believing in Shakespeare

A discussion of the connections between believing in Shakespeare's play and a post-Reformation understanding of salvation.

Religions in Shakespeare's Writings
  • Language: en
  • Pages: 234

Religions in Shakespeare's Writings

  • Type: Book
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  • Published: 2020-12-10
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  • Publisher: MDPI

Offering a wide range of scholarly perspectives, Religions in Shakespeare’s Writings explores Shakespeare’s depictions, throughout his canon, of various religions and matters related to them. This collection’s fifteen essays explore matters pertaining to Catholic, Anglican, and Puritan Christianity, the Albigensian heresy of the high middle ages, Islam, Judaism, Roman religion, different manifestations of religious paganism, and even the “religion of Shakespeare” practiced by Shakespeare’s nineteenth-century admirers. These essays analyze how Shakespeare depicts both tensions between religions and the syntheses of different religious expressions on topics as diverse as Shakespear...

Unperfect Histories
  • Language: en
  • Pages: 216

Unperfect Histories

A detailed exploration of a significant work of Tudor literature, The Mirror for Magistrates. The volume shows how the text is more than a moralistic collection of poems and how it is concerned with the transmission of national history, and the ways in which the past can be distorted, misremembered, misinterpreted, or lost.

Religion and Drama in Early Modern England
  • Language: en
  • Pages: 304

Religion and Drama in Early Modern England

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

The Uses of History in Early Modern England
  • Language: en
  • Pages: 470

The Uses of History in Early Modern England

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Early Stuart Polemical Hermeneutics
  • Language: en
  • Pages: 353

Early Stuart Polemical Hermeneutics

Darren M. Pollock examines the 1611 Romans hexapla commentary by the prolific Church of England preacher and controversialist Andrew Willet. While some have considered Willet's later biblical commentaries to have been a retreat from his earlier engagement in religious controversy, the author argues that his exegetical work maintained a significant element of anti-Catholic polemics, only expressed in a different genre. This polemical hermeneutic served as an organizing principle and as a means by which to clarify the presentation of traditional Reformed readings in relief against a body of Roman Catholic theology that Willet believed threatened the gospel of grace. Paulös letter provided amp...

Nationalism and Historical Loss in Renaissance England
  • Language: en
  • Pages: 276

Nationalism and Historical Loss in Renaissance England

Andrew Escobedo here seeks to provide a new understanding of the emergence of national consciousness in England, showing that many Renaissance writers articulated their Englishness temporally, through an engagement with a history they perceived as lost or alienated. According to Escobedo, the English experienced nationalism as a form of community that disrupted earlier religious and social identities, making it difficult to link the national present to the medieval past. Furthermore, he argues, the English faced the nation's temporal isolation before the Enlightenment narrative of historical progress emerged as a means to interpret novelty in a positive light. Escobedo examines how John Foxe...

The Cultural Uses of the Caesars on the English Renaissance Stage
  • Language: en
  • Pages: 168

The Cultural Uses of the Caesars on the English Renaissance Stage

  • Type: Book
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  • Published: 2016-03-16
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  • Publisher: Routledge

Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. In this study Lisa Hopkins explores the way in which the stories of the Caesars, and of the Julio-Claudians in particular, can be used to figure the stories of English rulers on the Renaissance stage. Analyzing plays by Shakespeare and a number of other playwrights of the period, she demonstrates how early modern English dramatists, using Roman modes of literary representation as cover, commented on the issues of the day and critiqued contemporary monarchs.