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Last Night, the Mountain
Manuela Moser's Last night, the mountain is a breathless game of contradictions: part dream, part discourse; yearning and sardonic; halting and cascading. Its terrain is an Escheresque tapestry of grey skies, crushed velvet mountains, rescue helicopters, sex tapes and sad swimming pools. Full of notes and examples that frame and reframe experience, this pamphlet hones in on the ways we assimilate phenomena, cumulatively asking of what, if anything, we can be sure.
Representations of Policing in Northern Irish Theatre
This monograph provides the first sustained, chronological account of Northern Irish police officers’ representation in theatre. Importantly, its scope comprises a critical period of national and organisational development, beginning with the Partition of Ireland in 1921 and the founding of the Royal Ulster Constabulary (RUC) one year later in 1922. It progresses through the relevant theatrical and historical events of the century, through the period after the RUC’s dissolution and replacement with the Police Service of Northern Ireland (PSNI) in 2001, and concludes in 2021 to coincide with the centenary of Partition. As such, this project is distinctive in its ability to trace paradigm shifts in perceptions of the police over time, as they intersect with relevant historical events and milestones of political conflict in the province.
ISDAL
Shortlisted for the 2023 Forward Prize for Best First Collection The much-anticipated debut poetry collection from acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime. ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a podcast about the mystery of 'Isdal Woman', whose burnt remains were discovered in Norway in 1970 and who has never been identified. At the centre of the book is an inquiry into our perennial obsession with female victims, sexiness, and death: ‘The death in question has already occurred’, the poet observes, ‘has occurred to someone sufficiently abstract as to allow us to romp gainfully, guilelessly, guiltlessly through a simulacrum of death’s corridors’. The free verse poems in the final section both explore and – perhaps inevitably – enact the ethical ambiguities of the genre. Witty, excoriating, formally ingenious, ISDAL marks the arrival of a thrilling talent in contemporary poetry.
Gub
'Gub is unlike anything I have ever read. In a playful demotic that is exhilarating, hilarious and never forced, Scott McKendry makes magic of a Belfast that in other hands would make grim reading. The most exciting poet to come out of the north of Ireland in many years' Louise Kennedy, author of Tresspasses 'There is nothing else like this in Irish poetry. A lyrical savant of the highest level, and one of the most exciting writers in Ireland today, McKendry is utterly his own beast' Michael Nolan, author of Close To Home 'A distinctive and energetic voice' Sunday Times Ireland Demons, geese, The Laughing Cow, marching bands, LSD and pistols smuggled home from the USSR. You'll find all these...
If All the World and Love Were Young
Winner of the Forward Prize for Best First Collection A Sunday Times, New Statesman and Telegraph Book of the Year 2019 'Every poem in this book is a marvel. Taken all together they make up a work of almost miraculous depth and beauty' Sally Rooney 'A poetry debut fit to compare with Seamus Heaney. This wonderful long poem is up there with the greats' Sunday Times When Stephen Sexton was young, video games were a way to slip through the looking glass; to be in two places at once; to be two people at once. In these poems about the death of his mother, this moving, otherworldly narrative takes us through the levels of Super Mario World, whose flowered landscapes bleed into our world, and ours, strange with loss, bleed into it. His remarkable debut is a daring exploration of memory, grief and the necessity of the unreal.
Some Integrity
Winner of the Lambda Literary Award for Gay Poetry 2023 Shortlisted for the John Pollard Foundation International Poetry Prize 2023 Longlisted for the Michael Murphy Memorial Prize 2023 Longlisted for the Polari Book Prize 2023 Shortlisted for the Forward Prize for Best First Collection 2022 Winner of the Clarissa Luard Prize 2021 In 'Minty', one of the typically charged and capacious poems in this eagerly-awaited debut collection, a mojito glass reflects: whatever grid of bricks & wood makes up the room we happen to be sitting in is dilated & wrapped around a single focal-point; whatever portion of the sky that happens to be visible through the window becomes a convex bowl. The weather also...
Tennis Lessons
For fans of I MAY DESTROY YOU and FLEABAG and for readers who want to laugh and cry: the brave, beautiful, sometimes brutal story of a young misfit and her rocky road to womanhood, stopping at each year along the way. 'I loved Tennis Lessons so much. Susannah is a phenomenally talented writer' ELIZABETH DAY 'A raw, fierce, shockingly honest coming-of-age story' LOUISE O'NEILL 'Incredibly funny . . . by turns charming and disgusting and I loved it' NELL FRIZZELL You're strange and wrong. You've known it from the beginning. This is the voice that rings in your ears. Because you never say the right thing. You're a disappointment to everyone. You're a far cry from beautiful - and your thoughts a...
Close to Home
WINNER OF THE ROONEY PRIZE FOR LITERATURE 2023 WINNER OF THE NERO BOOK AWARD FOR DEBUT FICTION 2023 WATERSTONES IRISH BOOK OF THE YEAR 2023 SHORTLISTED FOR THE SUNDAY TIMES YOUNG WRITER OF THE YEAR AWARD 2024 SHORTLISTED FOR THE IRISH BOOK AWARDS NEWCOMER OF THE YEAR 2023 SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2023 SHORTLISTED FOR THE EWART-BIGGS PRIZE 2023 SHORTLISTED FOR THE AUTHORS’ CLUB BEST FIRST NOVEL AWARD 2024 LONGLISTED FOR THE DYLAN THOMAS PRIZE FOR LITERATURE 2024 ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023 BOOK OF THE YEAR 2023 ACCORDING TO THE TIMES AND IRISH TIMES Sean is back. Back in Belfast and back into old habits. Back on the mad all-nighters, the bor...
The Rogue Narrative and Irish Fiction, 1660-1790
With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In t...
