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Godly Heretics
When computers freeze, they are "rebooted" and soon working properly again. Similarly, legendary thinkers throughout history have argued that Christianity should start fresh by recapturing the humanitarian spirit of Jesus' original message. These include such disparate individuals as Thomas Jefferson, Oscar Wilde, Charles Dickens, Walt Whitman, Friedrich Nietzsche, Leo Tolstoy, George Bernard Shaw, and the religious leaders of the Occupy Wall Street movement. Surprisingly enough, even classic television shows and films meant to be entertaining--Lost, Battlestar Galactica, It's a Wonderful Life, Groundhog Day, Decalogue, and A Charlie Brown Christmas--are attempts to apply the basic principle...
Fire and Snow
Fellow Inklings J. R. R. Tolkien and C. S. Lewis may have belonged to different branches of Christianity, but they both made use of a faith-based environmentalist ethic to counter the mid-twentieth-century's triple threats of fascism, utilitarianism, and industrial capitalism. In Fire and Snow, Marc DiPaolo explores how the apocalyptic fantasy tropes and Christian environmental ethics of the Middle-earth and Narnia sagas have been adapted by a variety of recent writers and filmmakers of "climate fiction," a growing literary and cinematic genre that grapples with the real-world concerns of climate change, endless wars, and fascism, as well as the role religion plays in easing or escalating th...
Emma Adapted
This work of literary and film criticism examines all eight filmed adaptations of Jane Austen's Emma produced between 1948 and 1996 as vastly different interpretations of the source novel. Instead of condemning the movies and television specials as being «not as good as the book, » Marc DiPaolo considers how each adaptation might be understood as a valid «reading» of Austen's text. For example, he demonstrates how the Gwyneth Paltrow film Emma is both a romance and a female coming-of-age story, the 1972 BBC miniseries dramatizes Emma's world as claustrophobic and Emma herself as suffering from depression, and the modern-day teen comedy Clueless comes closest of all to bringing a feminist reading of the novel to the screen. Each version illuminates a different, legitimate way of reading the novel that is rewarding for Austen fans, scholars, and students alike.
War, Politics and Superheroes
Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and the surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Fantastic Four and the X-Men, and topics covered include American wars, conflicts, and public policy. Instructors considering this book for use in a course may request an examination copy here.
Judge, Jury and Executioner
Since the Punisher's first appearance in the pages of Spider-Man #129, the character has become one of the most popular and controversial figures in Marvel's vast universe. The Punisher represents one of the most recognizable types of anti-heroes. His iconic skull insignia stands for a unique type of justice: protecting the innocent while violently eliminating everyone he sees as a villain. This collection examines the Punisher from philosophical perspectives about morality and justice. Essays critique the character through the lenses of gender and feminism; consider the Punisher's veteran status in relation the Vietnam, Afghanistan and Iraq wars; and examine how politics and gun violence connect the Punisher's world with the real world. Many iterations of the Punisher are examined within, including the Netflix release of Marvel's The Punisher, comics series such as Punisher: MAX, Marvel Knights, and Cosmic Ghost Rider, and several fan fiction stories.
Working-class Comic Book Heroes
The first book to tackle the blue-collar hero and working-class creators
Devised and Directed by Mike Leigh
Renowned for making films that are at once sly domestic satires and heartbreaking 'social realist' dramas, British writer-director Mike Leigh confronts his viewers with an un-romanticized dramatization of modern-day society in the hopes of inspiring them to strive for greater self-awareness and compassion for others. This collection features new, interdisciplinary essays that cover all phases of the BAFTA-award-winner's film career, from his early made-for-television film work to his theatrical releases, including Life is Sweet (1990), Naked (1993), Secrets & Lies (1996), Career Girls (1997), Topsy-Turvy (1999), All or Nothing (2002), Vera Drake (2004), Happy-Go-Lucky (2008) and Another Year...
Recovering the Radical Promise of Superheroes
Superhero meaning making is a site of struggle. Superheroes (are thought to) trouble borders and normative ways of seeing and being in the world. Superhero narratives (are thought to) represent, and thereby inspire, alternative visions of the real world. The superhero genre is (thought to be) a repository for radical or progressive ideas. In the superhero world and beyond, much is made of the genre's utopian and dystopian landscapes, queer identity-play, and transforming bodies, but might it not be the case that the genre's overblown normative framing, or representation, serves to muzzle, rather than express, its protagonists' radical promise? Why, when set against otherwise unbounded, and o...
Pimps, Wimps, Studs, Thugs and Gentlemen
With essays ranging in topic from the films of Neil LaBute to the sexual politics of Major League Baseball, this diverse collection of essays examines the multi-faceted media images of contemporary masculinity from a variety of perspectives and academic disciplines. The book's first half focuses on the issue of racialized masculinity and its various manifestations, with essays covering, among other topics, the re-imagining of Asian American masculinity in Justin Lin's Better Luck Tomorrow and the ever-present image of black male buffoonery in the neo-minstrel performances of VH1's Flavor of Love. The book's second half explores the issue of contemporary mediated performance and the cultural politics of masculinity, with essays focusing on popular media representations of men in a variety of gendered roles, from homemakers and househusbands to valorous war heroes and athletic demigods.
The Fantastic Made Visible
Fantasy and science fiction began in print, and from the first films to the latest blockbusters, print stories have provided the inspirations, the ideas, and in some cases the detailed blueprints. Adaption Studies has long been an area of intense debate in literature and film studies, but no single work has ever approached fantasy and science fiction texts as unique and important areas of inquiry by themselves. The Fantastic Made Visible with 16 fresh essays is the first book to do exactly that. From the earliest adaptations of Jules Verne, Robert A. Heinlein, and Shakespeare to recent films based on The Hobbit, Planet of the Apes, and The Hunger Games, this book offers a wide range of critical approaches and films from around the world.
