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Boy in the Box
“This is a harrowing and intense psychological horror novel for fans of Peter Straub, Jac Jemc, and Ania Ahlborn." — Booklist Ten years ago a mysterious and tragic hunting accident deep in the Adirondack Mountains left a boy buried in a storied piece of land known as Coombs’ Gulch and four friends with a terrible secret. Now, Jonathan Hollis and brothers Michael and Conner Braddick must return to the place that changed their lives forever in order to keep their secret buried. What they don’t realize is that they are walking into a trap — one set decades earlier by a supernatural being who is not confined by time or place: a demon that demands a sacrifice. FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
Creator of Nightmares
A critical biography of the eighteenth-century painter. Henry Fuseli (1741–1825) was one of the eighteenth century’s most provocative and inventive artists. He is best known for his painting The Nightmare, which channeled a new form of gothic imagery for the Romantic age. This engaging study of the artist’s career unveils Fuseli’s complexities, navigating contradictions between literary and painted works, sacred and secular themes, and traditional patronage versus competitive exhibitions. Plotting Fuseli’s trajectory from Zurich to Paris, Rome, and ultimately London, Creator of Nightmares paints an image of Fuseli as an astute marketer and self-proclaimed genius who transformed himself from a priest to an Enlightenment writer, a mercurial force in the art world, and finally a revered teacher.
Dead Matter
The celebrated author Ravin Gould, his equally celebrated actress wife, the media, the locals, and as many tourists as can cram themselves into Conan Flagg's bookstore are all on hand for that electric moment when Cady MacGill, the sheriff's son-in-law, threatens to cut off a vital portion of Gould's anatomy with a chain saw. Less than twenty-four hours later, Ravin Gould is dead, and Cady MacGill has been charged with his murder. But bookstore owner and private investigator Conan Flagg doesn't read the situation that way. Not with an election for sheriff coming up. Not when a covey of hotshot New York publishing executives wings into town, lured to the quiet Oregon beach resort by word of the tell-all autobiographical novel that Gould had just finished writing. A novel worth millions, which has vanished without a trace . .
Naming the People of England, c.1100-1350
Medieval historians have for some time recognized the significance of personal naming processes and patterns for the illumination of social relations such as kinship and spiritual kinship or godparenthood. Increasingly, they are employing the investigation of personal naming (anthroponymy) as part of their elucidation of cultural change-attempting, through changes in patterns of personal naming, to discern cultural transitions and transformations. Recent coordinated research on the European continent has produced major collaborative discussion of the cultural implications of naming in France, the Iberian peninsular, and 'Italy'. The fruits of new research into the 'Germanic' lands have also ...
The Circus and Victorian Society
This conflict informs us not only of the complicated role that the circus played in Victorian society but provides a unique view into a collective psyche fraught by contradiction and anxiety.
The Conan Flagg Mysteries, Bundle #3
In these three mysteries set in a Pacific Northwest seaside town, a bookshop owner gets an extra dose of drama moonlighting as a private eye. Dead Matter When celebrated author Ravin Gould is murdered in Holliday Beach, the obvious suspect is Cady MacGill, who just so happens to be the sheriff’s son-in-law. Everyone, including Gould’s famous actress wife, heard Cady threaten the writer in the Holliday Beach Bookshop. But bookstore owner and PI Conan Flagg isn’t convinced. Not with an election for sheriff coming up. Not when a flock of publishing executives have descended on Holliday Beach, lured by the tell-all memoir that Gould just finished. Not when said book just vanished without a...
Medieval and Early Modern Ritual: Formalized Behavior in Europe, China and Japan
The essays in this volume transcend Eastern and Western geographical boundaries during a loosely defined medieval and early modern period, ranging from Carolingian Europe to Qing China, and pull rituals out of their geographical contexts. Cultural history binds these essays together. This volume permits readers to compare ritual in religious and secular contexts, in the East and West, and to focus on the purposes of ritual, without being caught up in localism or historical jingoism. The various essays are organized chronologically and thematically; they focus on ritual and gender, law, identity and political legitimization. They cover topics as varied as the spatial appropriation of surfaces and territories, charity, carnival, women's magic, the Jesuits, graffiti, theater, business, medicine, Qing imperial ceremonies, Chinese princesses coming of age, spiritual reconciliation, and the Great Western Schism. Contributors include: Catherine Bell, Virginia A. Cole, Andrée Courtemanche, James L. Hevia, Michael W. Maher, S.J., Véronique Plesch, Marguerite Ragnow, Martha Rampton, Eric C. Rath, Dylan Reid, Kathryn Reyerson, Joëlle Rollo-Koster, and Ann Waltner.
The Flowering of the Landscape Garden
Mark Laird offers a wealth of visual and literary materials to revolutionize our understanding of the English landscape garden as a powerful cultural expression.
Emblems in Scotland
Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?
