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Police chief Orwell Brennan heads a team investigating the murder of a Toronto police officer. The victim was about to interview an eccentric former Russian ballet star with unsavory associates and a link to a very rare ruby.
Winner of the 2010 Edgar Allan Poe Award for Best Paperback Original, short-listed for the 2010 Shamus Award for Best Paperback Original Novel Ex-boxer Joe Grundy is embroiled in the intrigues of his own boss, millionaire Leo Alexander, the owner of Vancouver’s Lord Douglas Hotel. Somebody has murdered Leo’s live-in servant and not-so-secret lover, and Grundy has to get to the bottom of the incident in order to clear the man he’s forged a bond with since first coming to work for him as security for the hotel. But Leo’s past serves up more surprises than Grundy bargained for. It seems Leo has had a life full of death, jilted mistresses, spurned spouses, sharp business deals, and explosive relationships with estranged children. Another corpse pops up, Leo is arrested and jailed, and Grundy takes more hits to his body and psyche than perhaps even he can handle. Thoughts of real and imagined death are stalking the corridors of the Lord Douglas, and Joe Grundy has to keep swinging to stay alive and remain sane.
In this book, Marc Caplan argues that the literatures of ostensibly marginal modern cultures are key to understanding modernism. Caplan undertakes an unprecedented comparison of nineteenth-century Yiddish literature and twentieth-century Anglophone and Francophone African literature and reveals unexpected similarities between them. These literatures were created under imperial regimes that brought with them processes of modernization that were already well advanced elsewhere. Yiddish and African writers reacted to the liberating potential of modernity and the burdens of imperial authority by choosing similar narrative genres, typically reminiscent of early-modern European literatures: the pi...
A renowned historian and Resistance fighter - later executed by the Nazis - analyzes at first hand why France fell in 1940. Marc Bloch wrote Strange Defeat during the three months following the fall of France, after he returned home from military service. In the midst of his anguish, he nevertheless "brought to his study of the crisis all the critical faculty and all the penetrating analysis of a first-rate historian" (Christian Science Monitor). Bloch takes a close look at the military failures he witnessed, examining why France was unable to respond to attack quickly and effectively. He gives a personal account of the battle of France, followed by a biting analysis of the generation betwee...
Commander Constance 'Bucky' Powers is Scotland Yard's top operative. As beautiful as she is deadly. Bucky uncovers a plot by a man known only as Mr. Zen to replace influential people with replicates that are under his control. Joining the Queen's Royal Bodyguards, she hopes to save who she believes will be Zen's next target. Prince William of England. This mission will require all of her special skills.
"Two world wars, concentration camps, the obliteration of Hiroshima and Nagasaki, and continued preparations for nuclear war illustrate the modern world's propensity for mass destruction. . . . Yet there have been important signs of resistance to this trend. These have included not only the emergence of mass-based peace and disarmament movements but activist intellectuals grappling with the growing problem posed by mass violence among nation-states. . . . Bess examines the lives and ideas of four of these intellectuals: Leo Szilard of Hungary and (later) the United States, E. P. Thompson of England, Danilo Dolci of Italy, and Louise Weiss of France. . . . Realism, Utopia, and the Mushroom Cl...
This collection examines relations between France and Britain, in particular their conflicting memories of key episodes in their recent past.
From Shakespeare to cop shows, sitcoms to docudramas, for over three decades the CBC has presented viewers with every variety of television drama and has become Canada's closest equivalent to a national theatre. Turn Up the Contrast is the first book to explore the content of Canadian television drama and is both a critical analysis and a survey history of how Canadians have used the medium to tell themselves their own stories. As a part of her research, Mary Jane Miller watched thousands of hours of television, sampling series and viewing in their entirety shorter programs such as movies and mini-series. Asking a variety of questions, she selected a number of programs for detailed analysis, and devotees of The Beachcombers, King of Kensington, Seeing Things, Cariboo Country, Wojeck or A Gift to Last will be pleased to find their favourites among those discussed at length. A University of British Columbia Press / CBC Enterprises Co-Publication.
The 20th anniversary edition of the fantasy classic, with an introduction by V E Schwab Over 4 million copies sold 'One of the greatest fantasy writers of her generation' New York Times 'The book I wish I'd written' R F Kuang 'Susanna Clarke writes with an intelligence and beauty that seems at times miraculous' Katherine Rundell 'A modern masterpiece' Spectator 1806. England is beleaguered by the long war, and centuries have passed since magicians faded from view. But one remains: the reclusive Mr Norrell. Proceeding to London, he raises a woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious Norrell is challenged by the emergence of another magician. Young, handsome and daring, Jonathan Strange is his very antithesis. So begins a dangerous battle between these two great men – which overwhelms that between England and France. And soon their own secret dabblings with the dark arts are going to cause more trouble than they can imagine... 'Like Hilary Mantel, Clarke has made the very notion of genre seem quaint' Guardian
The discovery of two headless corpses dressed in colonial clothing and locked in a grisly embrace draws Detectives Miranda Quin and David Morgan of the Toronto Police Service into a Gothic mixture of sex and death that ultimately threatens their survival. What if the difference between good and evil is only perception? Beginning with morbid curiosity, Miranda and Morgan get caught up in a story of inspired depravity. Through revelations in such diverse locations as a Toronto demolition site, a lonely farmhouse on Georgian Bay, the crypt of a derelict church, and inside the murky depths of a shipwreck, this perverse account of love, lust, and murder builds to a horrific crescendo. Seduced by their own personal demons, Quin and Morgan might not find their considerable skills and strong bonds enough this time to help them overcome the terrors that await.