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A Série Universitária foi desenvolvida pelo Senac São Paulo com o intuito de preparar profissionais para o mercado de trabalho. Os títulos abrangem diversas áreas, abordando desde conhecimentos teóricos e práticos adequados às exigências profissionais até a formação ética e sólida. Currículo e gestão educacional procura traçar um panorama do currículo na contemporaneidade, iniciando pelo contexto histórico sobre o qual ele foi criado. Em seguida, são apresentadas as principais teorias elaboradas sobre o currículo, desde as chamadas tradicionais, surgidas no início do século XX, impulsionadas pelo processo de industrialização, até as teorias pós-críticas, mais afinadas com a sociedade e cultura contemporâneas. O livro trata ainda dos impactos das novas tecnologias nas definições de currículo, além de apresentar propostas inovadoras de currículo e discutir o papel do gestor junto a ele. O objetivo é proporcionar ao leitor uma visão geral sobre os aspectos essenciais da teoria e gestão do currículo.
Este trabalho examina as formas que a arquitetura dos museus adquiriu a partir dos anos 1970, no contexto das mutações ocorridas na ordem cultural e econômica mundial: inicia-se pela análise do Centro George Pompidou, em Paris (1977), dos arquitetos Renzo Piano e Richard Rogers, considerado o marco inaugural da dita "cultura dos museus". Passa, posteriormente, ao exame do Guggenheim Bilbao (1997), de Frank Gehry, tomando-o como sintoma da arquitetura icônica e midiática. Em seguida, mostra que, em razão do desaquecimento da "economia real", resultante das sucessivas crises financeiras internacionais, houve uma reorientação da arquitetura dos museus para formas menos espetaculares, como evidenciam a ampliação do Museu do Prado (2007), em Madri, de Rafael Moneo, e o novo Louvre, em Lens (2012), na França, de Kazuyo Sejima e Ryue Nishizawa (SANAA). Constata, ao final, a retração dessa "cultura dos museus", indiciada tanto no abandono da arquitetura icônica quanto no protagonismo assumido pela cidade, nos últimos anos, em detrimento da forma arquitetônica.
"Espaço e lugar" foi um marco no movimento de renovação da geografia, iniciado nos Estados Unidos ainda na década de 1950, e continua dando frutos até os dias de hoje. Publicado em 1977, marca o momento de maturidade acadêmica de seu autor, Yi-Fu Tuan, alicerçada na leitura geográfica da poética científica de Bachelard, iniciada quinze anos antes; consolidada com a leitura de Piaget, a partir da qual preconizou um aporte alternativo para o estudo da percepção ambiental que, naquele contexto, era fortemente influenciado pelo comportamentalismo.
This set of 45 volumes constitutes the proceedings of all of the conferences affiliated with HCI International 2021, which was held during July 24-29, 2021. The total of 1276 papers and 241 posters were carefully reviewed and selected from 6326 submissions. The respective focus of the 2 thematic areas and 19 affiliated conferences is as follows: Human-Computer Interaction; Human Interface and the Management of Information; Engineering Psychology and Cognitive Ergonomics; Universal Access in Human-Computer Interaction; Virtual, Augmented and Mixed Reality; Cross-Cultural Design; Social Computing and Social Media; Augmented Cognition; Digital Human Modeling and Applications in Health, Safety, ...
This book collects the publications of the special Topic Scientific advances in STEM: from Professor to students. The aim is to contribute to the advancement of the Science and Engineering fields and their impact on the industrial sector, which requires a multidisciplinary approach. University generates and transmits knowledge to serve society. Social demands continuously evolve, mainly because of cultural, scientific, and technological development. Researchers must contextualize the subjects they investigate to their application to the local industry and community organizations, frequently using a multidisciplinary point of view, to enhance the progress in a wide variety of fields (aeronaut...
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today. After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation—and what it portends for future practices of art and theory, culture and politics.
You're crazy ... She'll take over and shove us out. I can just see this place in winter: no carpets, acres of wet newspaper underfoot, family huddled under blankets while the pig hogs the fire.' Richard and Bookey Peek hadn't planned on a warthog, any more than one would plan a tidal wave, a tornado or triplets, but on Stone Hills game sanctuary, natural disasters have a way of happening when you least expect them. Through Zimbabwe's darkest hours, Stone Hills has become a world in itself, a place where you might share your shower with an owl or your bed with a baby squirrel. Take a fresh look at the hospitality game with a couple whose crocodiles are named after unpopular guests. And follow the barefoot young David and his playmate, the warthog Poombi, as she relinquishes her place on the sofa to return to the wild - much to her indignation. Engaging and delightfully readable, this is a testament to one family's passion for Africa's wildlife and their conviction that nothing can change the essential nature of the land and its people. All the Way Home is the exhilarating and intensely moving story of a fiercely protected piece of Africa in the heart of the majestic Matobo Hills.
This book discusses strategies and methodologies for the storage and preservation of digital art and processes of collections digitization, also including studies on the new forms of organization and availability of information in data visualization systems. Furthermore, Possible Futures presents case studies and reflections on the rise of database aesthetics and the emerging field of information curatorship. The book was published in a copublishing agreement with Edusp.
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