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The Tel Quel Reader
The Tel Quel Readerpresents for the first time in English many of the key essays that played an instrumental role in shaping the contours of literary and cultural debate in the 1960s and 1970s. Tel Quelwas a French journal and publishing team that printed some of the earliest work by Derrida, Bataille, Kristeva, Barthes, Foucault and Deleuze. From its beginning in 1960 to its closure in 1982, TQpublished some of the key essays of major poststructuralist thinkers. The Readerincludes essays available in English for the first time by Kristeva and Foucault, and a fascinating interview with Barthes. It provides a unique insight into the poststructuralist movement and presents some of the pioneering essays on literature and culture, gender, film, semiotics and psychoanalysis. Although articles included here cover diverse areas--from the semiology of paragrams to the readability of Sade, a common perspective runs through them: the recognition of excess and the seduction of writing. The Tel Quel Readerfills a crucial gap in the English literature on literary and cultural theory and presents a case for the enduring value of the journal's enterprise.
Artists in the Audience
How have popular American films influenced film criticism and intellectual thinking. This book shows that critics, beginning in the 1940s, turned to the movies as raw material to be moulded into a more radical modernism.
Text
The concept of textuality in recent decades has come to designate a fundamentally contested terrain within a number of academic disciplines. How it came to occupy this position is the subject of John Mowitt's book, a critical genealogy of the social and intellectual conditions that contributed to the emergence of the textual object. Beginning with theTel Quelgroup in France in the sixties and seventies, Mowitt's study details how a certain interdisciplinary crisis prompted academics to rethink the conditions of cultural interpretation. Concentrating on three disciplinary projects—literary analysis, film studies, and musicology—Mowitt shows how textuality's emergence called into question ...
Contemporary French Poetics
This book finds its origin partly in the International Colloquium on French and Francophone Literature in the 1990's at Dalhousie University, September 1998. number of the papers, since reworked, take their place here alongside other studies subsequently invited. They form a broad and varyingly focused set of cogent and pertinent appraisals of very recent French, and francophone, poetic practice and its shifting, becoming conceptual underpinnings.
Tangent e
Tangente 1 is the first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the Canadian Centre for Architectures collection. In a provocative installation, Quebec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection--buildings under construction, models of student work, architectural abstractions, different levels of transparency--with his own imagery of the new Palais des Congres de Montreal.
Americanism, Media and the Politics of Culture in 1930s France
First book to focus on Americanism and its consideration of French film and literature The book is organized around individual figures, texts, and films, making it easy to adopt for individual units in courses. The book is written in clear, accessible, and jargon-free language. The book brings a new and innovative transatlantic perspective to 1930s French culture. The books offers new perspectives on important figures that we thought we knew well. The book mixes cultural history with the analysis of individual films and novels in a way that is engaging to read.
Travels in China
A rare and unique publication of Roland Barthes' notebooks from his travels in China. The notebooks document Barthes' thoughts during his 1974 visit to China, just as the last campaign of the Cultural Revolution was getting underway.
Toward a New Poetics
"Timely and provocative. . . . A pioneer work both in its format and in the range of authors it presents. I came away with an enlarged sense of the French cultural scene and the vitality of the players."—Richard Macksey, author of The Structuralist Controversy "Constitutes a definitive poetics for the recent generation of French poets. The interviews one finds here (and Gavronsky's excellent introduction) will be as important a document of postwar French writing as Symonds' The Symbolist Movement in Literature was for the age of Eliot."—Michael Davidson, author of The San Francisco Renaissance "This is the best and only introduction to the latest and most interesting literary experimentation in France. Through thoughtful interviews with the authors and a short selection of their work we come to know them intimately and we get a good overall sense of the direction present day French Literature is taking."—Sydney Lévy, editor of SubStance: A Review of Theory and Literary Criticism
