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Poetics of the Pretext is an original study of the French poet Lautréamont (1846-1870). It analyses closely the texts, pretexts and intertexts of this innovative poet.
The Tel Quel Readerpresents for the first time in English many of the key essays that played an instrumental role in shaping the contours of literary and cultural debate in the 1960s and 1970s. Tel Quelwas a French journal and publishing team that printed some of the earliest work by Derrida, Bataille, Kristeva, Barthes, Foucault and Deleuze. From its beginning in 1960 to its closure in 1982, TQpublished some of the key essays of major poststructuralist thinkers. The Readerincludes essays available in English for the first time by Kristeva and Foucault, and a fascinating interview with Barthes. It provides a unique insight into the poststructuralist movement and presents some of the pioneering essays on literature and culture, gender, film, semiotics and psychoanalysis. Although articles included here cover diverse areas--from the semiology of paragrams to the readability of Sade, a common perspective runs through them: the recognition of excess and the seduction of writing. The Tel Quel Readerfills a crucial gap in the English literature on literary and cultural theory and presents a case for the enduring value of the journal's enterprise.
Has theory become resistible? Has it betrayed its promise, and sold out on its practice? Should theory, after having become a discipline, still lay claims on the radical, or should it embrace its establishment within the university? What future(s) could theory have if there is (dis)agreement about its present(s) and its past(s), and what and how should it from now proceed to read?
Looking beyond the closet at the lives and works of renowned queer public figures
Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. This book is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.
The silver screen and the gold standard -- The Panama Caper -- Empire of liberty -- Liberty bonds -- The State of extension -- The work of film in the age of Fordist mechanization -- The Pan-American road to happiness and friendship -- Highways of Empire -- League of corporations -- The silver chains of mimesis -- The golden harvest of the silver screen -- Welfare media -- The world of tomorrow' today!
It is often asserted that postmodernism emerged from 'leftist' Nietzsche-interpretations, but it is rarely explored. This book investigates how Deleuze and Foucault read Nietzsche and apply a hermeneutics of innocence to his philosophy that erases the elitist, anti-democratic, and anti-socialist dimensions. This misreading also affects their own theory and impairs the claim to develop a radical critique. The late Foucault’s turn to self-care techniques merges a neo-Nietzschean approach with the ideologies of neoliberalism. Rehmann’s critique is not directed against the endeavor to take suggestions from some of Nietzsche’s astute intuitions, but rather against the conformism to use him as a symbolic capital without revealing his hierarchical obsession. This book is an updated and extended version of Postmoderner Links-Nietzscheanismus: Deleuze & Foucault. Eine Dekonstruktion, originally published in German by Argument Verlag GmbH, 2004, 978-3-88619-298-4.
Explores the history of theories of selfhood, from the Classical era to the present, and demonstrates how those theories can be applied in literary and cultural criticism. Donald E. Hall: * examines all of the major methodologies and theoretical emphases of the twentieth and twenty-first centuries, including psychoanalytic criticism, materialism, feminism and queer theory * applies the theories discussed in detailed readings of literary and cultural texts, from novels and poetry to film and the visual arts * offers a unique perspective on our current obsession with perfecting our selves * looks to the future of selfhood given the new identity possibilities arising out of developing technologies. Examining some of the most exciting issues confronting cultural critics and readers today, Subjectivity is the essential introduction to a fraught but crucial critical term and a challenge to the way we define our selves.
Mark Twain once wrote, "We are nothing but echoes." Despite this pronouncement, Twain's voice continues to reverberate in the 21st century. Twain's Adventures of Huckleberry Finn helped define modern American literature, creating The Huck Finn Tradition in contemporary writing. This volume discusses the intertextual connections between Twain's iconic novel and eight works by celebrated American author Cormac McCarthy, including Suttree, The Orchard Keeper, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road. By chronicling the diverse scholarly comparisons between Twain and McCarthy and exploring the echoes of Twain and Huck Finn in McCarthy's writing, this study reveals how McCarthy has not only absorbed Twain's tradition, but transformed it, with consequences that surpass the work of other Twain heirs.
Narratives of suspicion and mistrust have escaped the boundaries of specific sites of discourse to constitue a metanarrative that pervades American culture. Through close reading of texts ranging from novels (Pynchon's Vineland, Silko's Almanac of the Dead, Pierce's The Turner Diaries) to prison literature, this book examines the ways in which narratives of suspicion are both constitutive--and symptomatic--of a metanarrative that pervades American culture.