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Christian-Muslim Relations. A Bibliographical History, volume 7 (CMR 7), covering Central and Eastern Europe, Asia, Africa and South America in the period 1500-1600, is a continuing volume in a general history of relations between the two faiths from the seventh century to the early 20th century. It comprises introductory essays and the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 7, along with the other volumes in this series, is intended as a basic tool for research in Christian-Muslim relations. Section editors: Clinton Bennett, Luis F. Bernabe Pons, Lejla Demiri, Martha Frederiks, John-Paul Ghobrial, David Grafton, Alan Guenther, Abdulkadir Hashim, Şevket Küçükhüseyin, Emma Loghin, Gordon Nickel, Claire Norton, Peter Riddell, Umar Ryad, Davide Tacchini, Moussa Serge Hyacinthe Traore, Carsten Walbiner
'The Open Access publishing costs of this volume were covered by the Dutch Research Council (NWO), Veni-project “Leaving a Lasting Impression. The Impact of Incunabula on Late Medieval Spirituality, Religious Practice and Visual Culture in the Low Countries” (grant number 275-30-036).' This volume explores various approaches to study vernacular books and reading practices across Europe in the 15th-16th centuries. Through a shared focus on the material book as an interface between producers and users, the contributors investigate how book producers conceived of their target audiences and how these vernacular books were designed and used. Three sections highlight connections between vernacularity and materiality from distinct perspectives: real and imagined readers, mobility of texts and images, and intermediality. The volume brings contributions on different regions, languages, and book types into dialogue. Contributors include Heather Bamford, Tillmann Taape, Stefan Matter, Suzan Folkerts, Karolina Mroziewicz, Martha W. Driver, Alexa Sand, Elisabeth de Bruijn, Katell Lavéant, Margriet Hoogvliet, and Walter S. Melion.
How does a ruler become "the Great"? Is greatness a part of authority exercised or a part of an image created? These and other questions are addressed in this volume on the life and memory of Grand Duke Vytautas of Lithuania (r.1392-1430). The study raises a hypothesis that Vytautas was the main engineer of his image as the great ruler while his contemporaries and later generations developed this image and adapted it to their needs and understandings. Investigating the propaganda surrounding the grand duke, this study reveals that, in fact, there were two opposite images: that of a good ruler and that of a tyrant. The paradox is that frequently these opposites were based on the same features of the grand duke's character or episodes from his biography. The research is based on a wide array of written and visual sources as well as on records of oral tradition. Rich and diverse primary materials are analysed from the perspectives of political and social history, memorial culture, as well as iconography and rhetoric.
A landmark history of the antisemitic blood libel myth—how it took root in Europe, spread with the invention of the printing press, and persists today. Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived. Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth ...
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The Ukrainian Cossacks were a complex and tenacious group, influential far beyond their numbers. This book offers an admiring, critical, and close examination of the unique cossack phenomenon. It reveals the sources of their surprising power by looking at them in action, in their sixteenth-century uprisings. The interpretation is organized around three themes, offering resolutions of three apparent contradictions in cossack activity: first, how the cossacks could act simultaneously as individualist mercenaries and yet also lead a collective, class-conscious social rebellion; second, how they could be simultaneously traditionalist and yet also provide leadership for the developing modern Ukrainian nationalism; and third, how the cossacks could be simultaneously unique, quintessentially Ukrainian, and yet form a part of a worldwide response to economic transformations that drew Eastern Europe into a position as exploited agricultural provider for Western Europe.
This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.
For the first time in English, Michael Ostling tells the story of the imagined Polish witches, showing how ordinary peasant-women got caught in webs of suspicion and accusation, finally confessing under torture to the most heinous of crimes.
This is a hodgepodge of a disorderly, systematically arranged collection of Polish nobility. On these pages you will learn everything about: descent, nobility, aristocratic literature, aristocratic name endings, aristocratic association, genealogy, bibliography, books, family research, research, genealogy, history, heraldry, heraldry, herbalism, information, literature, names, aristocratic files, nobility, personal history, Poland, Szlachta, coat of arms, coat of arms research, coat of arms literature, nobility, knights, Poland, herbarz. Conglomeration, translations into: English, German, French. Dies ist ein Sammelsurium einer ungeordneten, systematisch geordneten Sammlung des polnischen Ad...
The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Serhii Plokhy’s The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine’s complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine’s contribution to the collapse of the Soviet Union. Juxtaposing Ukraine’s history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe.