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The Tomb of the Unknown Soldier, Modern Mourning, and the Reinvention of the Mystical Body
I slutningen af 1. Verdenskrig indførte flere krigsførende lande et nyt hidtil ukendt ritual. Kroppen af en anonym soldat, død på slagmarken, blev begravet i "den ukendte soldats grav" for at symbolisere den fælles sorg over slagmarkens voldsomme traumer. Ved at undersøge hvordan forskellige lande ofte med vidt forskellig politisk og kulturel baggrund har anvendt "Den ukendte Soldat" symbolsk, hævder forfatteren, at der er skabt en ny måde at udtrykke fælles national sorg på.
The Art of Objects
The Art of Objects explores the experimental encounter of arts and industry in Italy at the turn of the 20th century, tracing the origins of the Italian culture of design in the social and aesthetic construction of the age's most iconic industrial objects.
Prisoner of the Vatican
Draws on previously unknown documents from the Vatican archives to detail a plot on the part of Pope Pius IX and his successor, Leo XIII, to block the unification of Italy and to seize control of Rome and the Papal States.
The Age of Reconstruction
A sweeping history of how Union victory in the American Civil War inspired democratic reforms, revolutions, and emancipation movements in Europe and the Americas The Age of Reconstruction looks beyond post–Civil War America to tell the story of how Union victory and Lincoln’s assassination set off a dramatic international reaction that drove European empires out of the Americas, hastened the end of slavery in Latin America, and ignited a host of democratic reforms in Europe. In this international history of Reconstruction, Don Doyle chronicles the world events inspired by the Civil War. Between 1865 and 1870, France withdrew from Mexico, Russia sold Alaska to the United States, and Brita...
God's Jury
From Cullen Murphy, editor at large of Vanity Fair, God's Jury is a chilling and powerful account of how the techniques used by the Spanish Inquisition created our modern world. For centuries states have used their power to censor, watch, manipulate and punish. God's Jury argues that the Inquisition - the Catholic body that existed for over 700 years - is not a medieval oddity, but is intrinsically bound up with modernity. From Vatican archives to Guantánamo Bay and the Third Reich, Cullen Murphy shows how the Inquisition's techniques - record-keeping, bureaucracy and a terrifying sense of certainty - are now standard operating procedure, and that the battle between private conscience and o...
Eating God
Eating God examines the history of the Eucharist as a means for understanding transformations in society from the late Middle Ages onwards. After an introduction on the sacrament from its origins to the Protestant Reformation, this book considers how it changed the customs and habits of society, on not only behavioural and imaginative levels, but also artistic and figurative level. The author focuses on Counter-Reformation Italy as a laboratory for the whole of Christendom subject to Rome, and reflects on how, even today, the transformations of the modern age are relevant and influence contemporary debate. This book offers an innovative path through the history of a sacrament, with consideration of its impact as an ‘object’ that was used, venerated, eaten, depicted and celebrated far beyond the sphere of liturgical celebration. It will be particularly relevant to those interested in cultural history and the history of Christianity.
Renaissance Theories of Vision
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstr...
The Court Cities of Northern Italy
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Political Censorship of the Visual Arts in Nineteenth-Century Europe
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
