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The Walking Dead Live!
In 2010, The Walking Dead premiered on AMC and has since become the most watched scripted program in the history of basic cable. Based on the graphic novel series by Robert Kirkman, The Walking Dead provides a stark, metaphoric preview of what the end of civilization might look like: the collapse of infrastructure and central government, savage tribal anarchy, and purposeless hordes of the wandering wounded. While the representation of zombies has been a staple of the horror genre for more than half a century, the unprecedented popularity of The Walking Dead reflects an increased identification with uncertain times. In The Walking Dead Live! Essays on the Television Show, Philip L. Simpson a...
Wanted
Along with the settlement of the Texas frontier came rustlers, public drunks, gunfighters, and other outlaws. A jail in which to incarcerate the lawbreakers was thus often the first public building raised in a new town. Later, as government developed, public buildings—notably county courthouses and jails—assumed not only practical but also symbolic importance. The architecture of these buildings in the nineteenth century reflected the power and status with which the community imbued the government; many of the same architects applied the aesthetic standards of the day to both. In later years, the safety and at least limited comfort of the prisoners became concerns and jails were remodele...
Navasota
Navasota is named for the nearby Navasota River. The naming of the river is linked, most plausibly, to an encounter on its banks in the 1540s between Indians and a Spanish expedition led initially by the then-deceased Hernando de Soto. Indians believed that spirits of the dead were associated with rivers. Accordingly, though he was interred earlier in the Mississippi River, the Indians saw de Soto's spirit reborn in their river, hence the legendary term "Nativity de Soto," shortened to Navasota. As this book shows, the history of Navasota has revolved around the theme of birth. It stands in the Cradle of Texas, associated endemically with the founding of Spanish Texas and later with the birth of the Republic of Texas. At the crossroads of Texas, Navasotians have pioneered new industries while moderating equilibrium between a genteel society bent on expanding the mind and a ruffian element tamed only at the hands of an icon in American folklore.
Animated Mischief
Over the last century, the medium of animation has served as an expression of childhood as well as a method of subverting the expectations of what society has promised for the future. Separated into three parts, this work assembles various explorations of taste, culture and passion through animation. Section I features essays that outline the historical changes in art and society that gave rise to an outsider culture that found a home in animation. In the second section, essays examine the practical use of animation as a voice for the underserved. Finally, in Section III, essays analyze the ways in which animation has reshaped the acceptance of outsider status to embrace otherness. Featuring everything from feature-length films to self-produced YouTube videos, the essays in this text reflect a shared love of animation and its unique ability to comment on society and culture.
Planet Auschwitz
Planet Auschwitz explores how the Holocaust has influenced science fiction and horror film and television. These genres explore important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II.
Clint Eastwood’s Cinema of Trauma
Throughout his directorial career, Clint Eastwood’s movies have presented sympathetic narratives of characters enduring personal trauma as they turn to violence to survive calamity or sustain social order—a choice that leaves them marginalized rather than redeemed. In this collection of new essays, contributors examine his films—from The Outlaw Josey Wales to Sully—as studies on PTSD that expose the social conditions that tolerate or trigger traumatization and (in his more recent work) imagine a way through individual and collective trauma.
White Out
Designed to orient readers to the history and purpose of Critical Whiteness Studies, to key concepts and legal cases, and to established and newer texts and resources.
The Populist Vision
The Populist Vision is about how Americans responded to wrenching changes in the national and global economy. In the late nineteenth century, the telegraph and steam power made America and the world a much smaller place. The new technologies also made possible large-scale bureaucratic organization and centralization. Corporations grew exponentially and the rich amassed great fortunes. Those on the short end of these changes responded in the Populist revolt, one of the most effective challenges to corporate power in American history. But what did Populism represent? Half a century ago, scholars such as Richard Hofstadter portrayed the Populist movement as an irrational response of backward-lo...
San Antonio Rose
A fine, engaging, and valuable biography of a man who merged the spontaneity of country fiddling with the Big Band Sound, giving birth to Western Swing. A landmark in country music!
The Tuskegee Strangler
Every serial killer is a “nice guy”—until he’s found out. The shocking, true account of a Southern charmer who left a trail of victims in his wake. Jerry Marcus fooled them all. He was “a nice guy,” always helped at home, did well in school, an athlete, and always employed. When things went wrong, he was the first to help clean up the mess. He was the last person anyone suspected of being a serial killer. After Marcus was caught and sentenced to life in prison in the late ’70s, author Linda Lou Long spent years corresponding with him. The Tuskegee Strangler gives an inside look into the workings of a man who is not your typical serial killer.
