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Along with the settlement of the Texas frontier came rustlers, public drunks, gunfighters, and other outlaws. A jail in which to incarcerate the lawbreakers was thus often the first public building raised in a new town. Later, as government developed, public buildings—notably county courthouses and jails—assumed not only practical but also symbolic importance. The architecture of these buildings in the nineteenth century reflected the power and status with which the community imbued the government; many of the same architects applied the aesthetic standards of the day to both. In later years, the safety and at least limited comfort of the prisoners became concerns and jails were remodele...
A major reinterpretation of the Populist movement, this text argues that the Populists were modern people, rejecting the notion that Populism opposed modernity and progress.
Planet Auschwitz explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies. Planet Auschwitz website (https://planetauschwitz.com)
Despite hopeful—though problematic—proclamations about the end of racism after the election of our first African-American President, we are witnessing a backlash and renewed racism at this point in American and global history. Put simply, Critical Whiteness Studies (CWS) has as much exigency now as ever. Critical Whiteness Studies is an interdisciplinary project—with scholars from legal studies, literature and rhetorical studies, film and visual studies, class and feminist theorists, etc.—that contributes to critical race theory. Scholars tend to posit whiteness as an ideological, political, legal, and social fiction that places so-called whites in a position of hegemony over other n...
Over the last century, the medium of animation has served as an expression of childhood as well as a method of subverting the expectations of what society has promised for the future. Separated into three parts, this work assembles various explorations of taste, culture and passion through animation. Section I features essays that outline the historical changes in art and society that gave rise to an outsider culture that found a home in animation. In the second section, essays examine the practical use of animation as a voice for the underserved. Finally, in Section III, essays analyze the ways in which animation has reshaped the acceptance of outsider status to embrace otherness. Featuring everything from feature-length films to self-produced YouTube videos, the essays in this text reflect a shared love of animation and its unique ability to comment on society and culture.
Navasota is named for the nearby Navasota River. The naming of the river is linked, most plausibly, to an encounter on its banks in the 1540s between Indians and a Spanish expedition led initially by the then-deceased Hernando de Soto. Indians believed that spirits of the dead were associated with rivers. Accordingly, though he was interred earlier in the Mississippi River, the Indians saw de Soto's spirit reborn in their river, hence the legendary term "Nativity de Soto," shortened to Navasota. As this book shows, the history of Navasota has revolved around the theme of birth. It stands in the Cradle of Texas, associated endemically with the founding of Spanish Texas and later with the birth of the Republic of Texas. At the crossroads of Texas, Navasotians have pioneered new industries while moderating equilibrium between a genteel society bent on expanding the mind and a ruffian element tamed only at the hands of an icon in American folklore.
Every serial killer is a “nice guy”—until he’s found out. The shocking, true account of a Southern charmer who left a trail of victims in his wake. Jerry Marcus fooled them all. He was “a nice guy,” always helped at home, did well in school, an athlete, and always employed. When things went wrong, he was the first to help clean up the mess. He was the last person anyone suspected of being a serial killer. After Marcus was caught and sentenced to life in prison in the late ’70s, author Linda Lou Long spent years corresponding with him. The Tuskegee Strangler gives an inside look into the workings of a man who is not your typical serial killer.
A fine, engaging, and valuable biography of a man who merged the spontaneity of country fiddling with the Big Band Sound, giving birth to Western Swing. A landmark in country music!