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Making Sense of "God"
All over the world people talk about God and argue endlessly about what God said and what, if anything, we should do about it. Do they know what are they talking about? Do they ever seriously consider what it might look like or feel like if God actually spoke to you? How could you tell, if someone said God spoke to them, whether they were deluded, bluffing, or high on drugs? The reflections, dialogues, and arguments in this book address such questions, often with humor, sometimes provocatively as when the author suggests the ancient gods have returned to invade the institutions of our great religions, or when two spirits, William and James, viewing the world from afar, voice their doubt as to whether the human species will ever attain the pinnacles of cooperation, reason, beauty, and love. Ancient texts from the Mayan Popol Vuh through the Bible to the Chinese classics are invoked, and the discoveries of modern science from anthropology to zoology are brought into play as the reader is gently led to an appreciation of the role of religious language in modern society.
The Land of the Body
This book presents the first extended study of the representation of Egypt in the writings of Philo of Alexandria. Philo is a crucial witness, not only to the experiences of the Jews of Alexandria, but to the world of early Roman Egypt in general. As historians of Roman Alexandria and Egypt are well aware, we have access to very few voices from inside the country in this era; Philo is the best we have. As a commentator on Jewish Scripture, Philo is also one of the most valuable sources for the interpretation of Egypt in the Pentateuch. He not only writes very extensively on this subject, but he does so in ways that are remarkable for their originality when compared with the surviving literature of ancient Judaism. In this book, Sarah Pearce tries to understand Philo in relation to the wider context in which he lived and worked. Key areas for investigation include: defining the 'Egyptian' in Philo's world; Philo's treatment of the Egypt of the Pentateuch as a symbol of 'the land of the body'; Philo's emphasis on Egyptian inhospitableness; and his treatment of Egyptian religion, focusing on Nile veneration and animal worship.
An Ancient Theory of Religion
An Ancient Theory of Religion examines a theory of religion put forward by Euhemerus of Messene (late 4th—early 3rd century BCE) in his lost work Sacred Inscription, and shows not only how and why euhemerism came about but also how it was— and still is—used. By studying the utilization of the theory in different periods—from the Graeco-Roman world to Late Antiquity, and from the Renaissance to the twenty-first century—this book explores the reception of the theory in diverse literary works. In so doing, it also unpacks the different adoptions and misrepresentations of Euhemerus’s work according to the diverse agendas of the authors and scholars who have employed his theory. In the process, certain questions are raised: What did Euhemerus actually claim? How has his theory of the origins of belief in gods been used? How can modern scholarship approach and interpret his take on religion? When referring to ‘euhemerism,’ whose version are we employing? An Ancient Theory of Religion assumes no prior knowledge of euhemerism and will be of interest to scholars working in classical reception, religious studies, and early Christian studies.
Philosophy and the Ancient Novel
The papers assembled in this volume explore a relatively new area in scholarship on the ancient novel: the relationship between an ostensibly non-philosophical genre and philosophy. This approach opens up several original themes for further research and debate. Platonising fiction was popular in the Second Sophistic and it took a variety of forms, ranging from the intertextual to the allegorical, and discussions of the origins of the novel-genre in antiquity have centred on the role of Socratic dialogue in general and Plato's dialogues in particular as important precursors. The papers in this collection cover a variety of genres, ranging from the Greek and Roman novels to utopian narratives and fictional biographies, and seek by diverse methods to detect philosophical resonances in these texts.
Living without God: A Multicultural Spectrum of Atheism
This book deals with the intricate issue of approaching atheism—methodologically as well as conceptually—from the perspective of cultural pluralism. What does ‘atheism’ mean in different cultural contexts? Can this term be applied appropriately to different religious discourses which conceptualize God/gods/Goddess/goddesses (and also godlessness) in hugely divergent ways? Is my ‘God’ the same as yours? If not, then how can your atheism be the same as mine? In other words, this volume raises the question: Is it not high time that we proposed a comparative study of atheism(s) alongside that of religions, rather than believing that atheism is centered in the ‘Western’ experience...
Reading the Letter to Titus in Light of Crete
This volume argues that Titus’s invocation of Crete affected the ways early readers developed their identities. Using archaeological data, classical writings, and early Christian documents, he describes multiple traditions that circulated on Crete and throughout the Roman Empire concerning Cretan Zeus, Cretan social structure, and Cretan Judaism. He then uses these traditions to interpret Titus and explain how the letter would intersect with and affect readers’ identities. Because readers had differing conceptions of Crete based on their location and access to and evaluation of Cretan traditions, readers would have developed their identities in multiple, conflictual, even contradictory ways.
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Images of Eternal Beauty in Funerary Verse Inscriptions of the Hellenistic and Greco-Roman Periods
In 'Images of Eternal Beauty in Funerary Verse Inscriptions of the Hellenistic and Greco-Roman Periods Andrzej Wypustek provides a study of various forms of poetic heroization that became increasingly widespread in Greek funerary epigram. The deceased were presented as eternally young heroes, oblivious of old age and death, as stars shining with an eternal brightness in heavens or in Ether, or as the ones chosen by the gods, abducted by them to their home in the heavens or married to them in the other world (following the examples of Ganymede, Adonis, Hylas and Persephone). The author demonstrates that, for all their diversity, the common feature of these verse inscriptions was the praise of beauty of the dead.
Early Medieval Glosses On Prudentius' Psychomachia
This book elucidates the significance of glosses on Prudentius' "Psychomachia" in the German or Weitz manuscript tradition. It redirects attention away from the philological concerns of conventional scholarship toward those of mainstream Carolingian and Ottonian intellectual history.
The Philosophical Stage
A bold new reconception of ancient Greek drama as a mode of philosophical thinking The Philosophical Stage offers an innovative approach to ancient Greek literature and thought that places drama at the heart of intellectual history. Drawing on evidence from tragedy and comedy, Joshua Billings shines new light on the development of early Greek philosophy, arguing that drama is our best source for understanding the intellectual culture of classical Athens. In this incisive book, Billings recasts classical Greek intellectual history as a conversation across discourses and demonstrates the significance of dramatic reflections on widely shared theoretical questions. He argues that neither "literature" nor "philosophy" was a defined category in the fifth century BCE, and develops a method of reading dramatic form as a structured investigation of issues at the heart of the emerging discipline of philosophy. A breathtaking work of intellectual history by one of today's most original classical scholars, The Philosophical Stage presents a novel approach to ancient drama and sets a path for a renewed understanding of early Greek thought.
