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Diagoras of Melos
Diagoras of Melos (lyric poet, 5th c. B.C.) has received special attention for some time now because he was regarded as a radical atheist and the author of a prose work on atheism in antiquity. He was notorious for revealing and ridiculing the Eleusinian Mysteries and was condemned for impiety at Athens. The present book evaluates Diagoras’ biography and shows that he cannot be considered to have been an atheist in the modern sense.
The "Sacred History" of Euhemerus of Messene
In his utopian novel Hiera Anagraphe (Sacred History) Euhemerus of Messene (ca. 300 B.C.) describes his travel to the island Panchaia in the Indian Ocean where he discovered an inscribed stele in the temple of Zeus Triphylius. It turned out that the Olympian gods (Uranos, Kronos, Zeus) were deified kings. The travels of Zeus allowed to describe peoples and places all over the world. Winiarczyk investigates the sources of the theological views of Euhemerus. He proves that Euhemerus’ religious views were rooted in old Greek tradition (the worship of heroes, gods as founders of their own cult, tombs of gods, euergetism, rationalistic interpretation of myths, the explanations of the origin of religion by the sophists, the ruler cult). The description of the Panchaian society is intended to suggest an archaic and closed culture, in which the stele recording res gestae of the deified kings might have been preserved. The translation of Ennius’ Euhemerus sive Sacra historia (ca. 200 - ca. 194) is a free prose rendering, which Lactantius knew only indirectly. The book is concluded by a short history of Euhemerism in the pagan, Christian and Jewish literature.
An Ancient Theory of Religion
An Ancient Theory of Religion examines a theory of religion put forward by Euhemerus of Messene (late 4th—early 3rd century BCE) in his lost work Sacred Inscription, and shows not only how and why euhemerism came about but also how it was— and still is—used. By studying the utilization of the theory in different periods—from the Graeco-Roman world to Late Antiquity, and from the Renaissance to the twenty-first century—this book explores the reception of the theory in diverse literary works. In so doing, it also unpacks the different adoptions and misrepresentations of Euhemerus’s work according to the diverse agendas of the authors and scholars who have employed his theory. In the process, certain questions are raised: What did Euhemerus actually claim? How has his theory of the origins of belief in gods been used? How can modern scholarship approach and interpret his take on religion? When referring to ‘euhemerism,’ whose version are we employing? An Ancient Theory of Religion assumes no prior knowledge of euhemerism and will be of interest to scholars working in classical reception, religious studies, and early Christian studies.
Living without God: A Multicultural Spectrum of Atheism
This book deals with the intricate issue of approaching atheism—methodologically as well as conceptually—from the perspective of cultural pluralism. What does ‘atheism’ mean in different cultural contexts? Can this term be applied appropriately to different religious discourses which conceptualize God/gods/Goddess/goddesses (and also godlessness) in hugely divergent ways? Is my ‘God’ the same as yours? If not, then how can your atheism be the same as mine? In other words, this volume raises the question: Is it not high time that we proposed a comparative study of atheism(s) alongside that of religions, rather than believing that atheism is centered in the ‘Western’ experience...
Making Sense of "God"
All over the world people talk about God and argue endlessly about what God said and what, if anything, we should do about it. Do they know what are they talking about? Do they ever seriously consider what it might look like or feel like if God actually spoke to you? How could you tell, if someone said God spoke to them, whether they were deluded, bluffing, or high on drugs? The reflections, dialogues, and arguments in this book address such questions, often with humor, sometimes provocatively as when the author suggests the ancient gods have returned to invade the institutions of our great religions, or when two spirits, William and James, viewing the world from afar, voice their doubt as to whether the human species will ever attain the pinnacles of cooperation, reason, beauty, and love. Ancient texts from the Mayan Popol Vuh through the Bible to the Chinese classics are invoked, and the discoveries of modern science from anthropology to zoology are brought into play as the reader is gently led to an appreciation of the role of religious language in modern society.
Philosophy and the Ancient Novel
The papers assembled in this volume explore a relatively new area in scholarship on the ancient novel: the relationship between an ostensibly non-philosophical genre and philosophy. This approach opens up several original themes for further research and debate. Platonising fiction was popular in the Second Sophistic and it took a variety of forms, ranging from the intertextual to the allegorical, and discussions of the origins of the novel-genre in antiquity have centred on the role of Socratic dialogue in general and Plato's dialogues in particular as important precursors. The papers in this collection cover a variety of genres, ranging from the Greek and Roman novels to utopian narratives and fictional biographies, and seek by diverse methods to detect philosophical resonances in these texts.
The Land of the Body
This book presents the first extended study of the representation of Egypt in the writings of Philo of Alexandria. Philo is a crucial witness, not only to the experiences of the Jews of Alexandria, but to the world of early Roman Egypt in general. As historians of Roman Alexandria and Egypt are well aware, we have access to very few voices from inside the country in this era; Philo is the best we have. As a commentator on Jewish Scripture, Philo is also one of the most valuable sources for the interpretation of Egypt in the Pentateuch. He not only writes very extensively on this subject, but he does so in ways that are remarkable for their originality when compared with the surviving literature of ancient Judaism. In this book, Sarah Pearce tries to understand Philo in relation to the wider context in which he lived and worked. Key areas for investigation include: defining the 'Egyptian' in Philo's world; Philo's treatment of the Egypt of the Pentateuch as a symbol of 'the land of the body'; Philo's emphasis on Egyptian inhospitableness; and his treatment of Egyptian religion, focusing on Nile veneration and animal worship.
The Evil Creator
"This book examines the origins of the evil creator idea chiefly in light of early Christian biblical interpretation. It is divided into two parts. In Part I, the focus is on Gnostic Christian interpretation. First, ancient Egyptian assimilation of the Jewish god to the evil deity Seth-Typhon is studied to understand its reapplication by alternative (Sethian, "Ophite" and "gnostic") Christians to the Judeo-catholic creator. Second, an alternative Christian reception of John 8:44 (understood to refer to the devil's father) is shown to implicate the Judeo-catholic creator in murdering Christ. Part II focuses on Marcionite Christian biblical interpretations. It begins with Marcionite interpretations of the creator's character in the Old Testament (chap 3), analyzes the reception of 2 Corinthians 4:4 (in which "the god of this world" blinds people, chap 4), examines Christ's so-called destruction of the Law (Eph 2:15) and the Lawgiver (chaps 5-6), and shows how Christ finally succumbs to the curse of the Law (Gal 3:13) inflicted by the creator (chap 7). A concluding chapter sums up the findings and shows how still today readers of the Bible conclude that the creator is evil"--
The Philosophical Stage
A bold new reconception of ancient Greek drama as a mode of philosophical thinking The Philosophical Stage offers an innovative approach to ancient Greek literature and thought that places drama at the heart of intellectual history. Drawing on evidence from tragedy and comedy, Joshua Billings shines new light on the development of early Greek philosophy, arguing that drama is our best source for understanding the intellectual culture of classical Athens. In this incisive book, Billings recasts classical Greek intellectual history as a conversation across discourses and demonstrates the significance of dramatic reflections on widely shared theoretical questions. He argues that neither "literature" nor "philosophy" was a defined category in the fifth century BCE, and develops a method of reading dramatic form as a structured investigation of issues at the heart of the emerging discipline of philosophy. A breathtaking work of intellectual history by one of today's most original classical scholars, The Philosophical Stage presents a novel approach to ancient drama and sets a path for a renewed understanding of early Greek thought.
Studies in the Historical Jesus
Studies in the Historical Jesus: Anarchy, Miracles, and Madness is a selection of key essays on the historical figure of Jesus published over the last fifteen years by Justin J. Meggitt. Each addresses a central question in the study of Jesus and his context, from the role of myth in the creation of traditions about him and the historicity of his miracles, to the problem of his politics and the reasons for his execution. The collection brings fresh perspectives and new data to bear on enduring debates, and demonstrates the value of "history from below" in making sense of the historical Jesus and the world that made him.
