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Lost Knowledge
Lost Knowledge: The Concept of Vanished Technologies and Other Human Histories investigates early texts that speak of sophisticated technologies millennia ago that became obscured over time or were destroyed with the civilizations that had created them.
Deciphering Reality
In Deciphering Reality: Simulations, Tests, and Designs, Benjamin B. Olshin offers a series of essays that examine the detection of computer simulations, challenge visual models of reality, explore Daoist conceptions of reality, and present possible future directions for deciphering reality.
The Mysteries of the Marco Polo Maps
Concerns a collection of maps and associated documents claimed to be from Marco Polo's time or that of his daughters (as many of the maps have the name or one or another of the three daughters on them). Discusses provenance, authenticity, and history of the documents, known to scholars as "the Marco Polo Maps" since 1948, here discussed fully for the first time.
The Mysteries of the Marco Polo Maps
What’s the truth behind the travels of Marco Polo? “A fascinating tale about maps, history and exploration.”—Times Literary Supplement (UK) In the thirteenth century, Italian merchant and explorer Marco Polo traveled from Venice to the far reaches of Asia, a journey he chronicled in a narrative titled Il Milione, later known as The Travels of Marco Polo. While Polo’s writings would go on to inspire the likes of Christopher Columbus, scholars have long debated their veracity. Some have argued that Polo never even reached China—while others believe that he came as far as the Americas. Now, there’s new evidence for this historical puzzle: a very curious collection of fourteen litt...
Deciphering Reality
In Deciphering Reality: Simulations, Tests, and Designs, Benjamin B. Olshin takes a problem-based approach to the question of the nature of reality. In a series of essays, the book examines the detection of computer simulations from the inside, wrestles with the problem of visual models of reality, explores Daoist conceptions of reality, and offers possible future directions for deciphering reality. The ultimate goal of the book is to provide a more accessible approach, unlike highly complex philosophical works on metaphysics, which are inaccessible to non-academic readers, and overly abstract (and at times, highly speculative) popular works that offer a mélange of physics, philosophy, and consciousness.
Erikson, Eskimos & Columbus
This revealing analysis of Medieval cartography and native American travel upends conventional narratives about discovering the New World. For generations, American schools have taught children that Christopher Columbus discovered America in 1492. But evidence shows that Leif Erikson set foot on the continent centuries earlier. As debate continues over which explorer deserves the credit, early maps of North America suggest that we may be asking the wrong questions. How did medieval Europeans have such specific geographic knowledge of North America, a land even their most daring adventurers had not yet discovered? In Erikson, Eskimos, and Columbus, James Robert Enterline presents new evidence that traces this knowledge to the cartographic skills of indigenous people of the high Arctic, who, he contends, provided the basis for medieval maps of large parts of North America. Drawing on an exhaustive chronological survey of pre-Columbian maps, including the controversial Yale Vinland Map, this book boldly challenges conventional accounts of Europe’s discovery of the New World.
Knowledge Actors
Historical actors are as central to the history of knowledge as to all historical scholarship. Every country, every era has its biographies of eminent scientists, intellectuals, and educational reformers. Yet the theoretical currents that have left their mark on the historical and sociological studies of knowledge since the 1960s have emphasized structures over actors, collectives over individuals. By contrast, Knowledge Actors stresses the importance of historical actors and re-engages with their actions from fresh perspectives. The objective of this volume is thus to foster a larger discussion among historians of knowledge about the role of knowledge actors. Do we want individuals and networks to take center stage in our research narratives? And if so, which ones do we want to highlight and how are we to conduct our research? What are the potential pitfalls of pursuing that actor-centric trajectory? This the third volume in a trilogy about the history of knowledge from the Lund Centre for the History of Knowledge (LUCK).
Cartography between Christian Europe and the Arabic-Islamic World, 1100-1500
Cartography between Christian Europe and the Arabic-Islamic World offers a timely assessment of interaction between medieval Christian European and Arabic-Islamic geographical thought, making the case for significant but limited cultural transfer across a range of map genres.
Renaissance Fun
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, an...
