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From the Alleghenies to the Hebrides
Margaret Fay Shaw's life spans a century of change. Orphaned at 11 she left home and school in Pennsylvania and Philadelphia aged 16, crossing to Scotland to spend a year at school near Glasgow. It was there that her love for Scotland was born. After studying music in New York and Paris, she returned to live for six years with two sisters in South Uist. Life on the island had changed little from previous centuries, and material comforts were few. But the island was rich in music and tradition, and Margaret Fay Shaw's collection of Gaelic lore and song are amongst the most important made this century, whilst her photography evocatively captures the aura of a vanished world. Her autobiography is the remarkable testament of a remarkable woman as well as a powerful plea in defence of a Gaelic culture and world under threat. It is written with a sharpness of observation, directness of humour and zest for life which make it a marvellous record of the twentieth century.
Eilean
A unique selection of photographs from the world-famous archive at Canna House, many of which are published for the first time in book form.
Folksongs and Folklore of South Uist
This is a compendium of photographs, stories, traditions and songs, it is an introduction to the world of the Gael and a memorial to a world now largely disappeared. It presents the rich tapestry of Gaelic life and culture in the words of the people who lived in and through that culture.
The Man Who Gave Away His Island
In 1938 John Lorne Campbell bought the Hebridean isle of Canna. He wanted to prevent it becoming a rich man's playground (like so many other islands and Highland estates), to preserve a part of traditional Gaelic culture and show that efficient farming methods could be compatible with wildlife conservation and sustainability. But his determination to get the island left him burdened by debt, and even after he gave it to the National Trust for Scotland in 1981 he still had to fight to secure his legacy. This acclaimed book is an insightful and human portrait of one of the twentieth century's most significant scholars of the Gaelic world, and of his 60-year partnership with Margaret Fay Shaw, who together created the world-famous library of Gaelic song and other material at Canna House.
Songs Remembered in Exile
With an account of the Hebridean emigration 1790-1835.
The Book of Barra
None
Photographers of the Western Isles
When the internationally renowned photographer Paul Strand visited South Uist in 1954 to create a series of powerful portraits and landscape views, he was not alone in singling out the Western Isles for photographic attention. This book discusses why and how various photographers have been drawn to these fascinating islands and the ways in which photographic images have been created and viewed within Hebridean communities from the late 19th century onward. From Captain F. W. L. Thomas’s first images of St. Kilda in 1860 to George Washington Wilson’s topographical images of the Highlands, this beautiful compilation celebrates the distinctive way of life in the isles and the legacy of the talented photographers who were inspired by them.
Witch Wood Annotated
Witch Wood is a 1927 novel by the Scots author John Buchan, set in the Scottish Borders during the Wars of the Three Kingdoms. Critics have called it Buchan's masterpiece
Understanding Scotland Musically
Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.
