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Selected Stories
Durante is old now. His face is permanently subdivided by ravines that seem to radiate from the well publicized extension in its center. But the skills that first drew people to him in a Coney Island saloon in 1910 still work. Durante continues to play Durante, a warm, good, oppressed, not fully lettered man in whom everyone can see a bit of himself. He is a throwback. In a day when entertainment is a prefabricated commodity and we are told performers are the stars before we even know their skills, Durante raucously reminds us of a time when entertainers were fun, genuine, alive. More than Durantes nose relates him to the storied wooden boy Pinocchio. They share the same impish, wondering qu...
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