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Dean of Umpires
Hall of Fame umpire Bill McGowan controlled the field of play as much with his personality as with the rulebook; his respected 30-year career, including 2,532 consecutive games, was among the longest in baseball history. McGowan was the home plate umpire in the first-ever American League pennant playoff game, Cleveland versus Boston in 1948. Famous for his sense of humor, great dramatics, and wild gestures, he was known to turn a strike into a ball if he thought a player deserved a break, or to eject half a team if they annoyed him. He promoted such players as Goose Goslin, Moe Berg, Stanley "Bucky" Harris, and Jimmy Dykes; wrote articles and newspaper columns; and founded a school for umpires in College Park, Maryland, which continues today as the Harry Wendelstedt Umpire School. This richly illustrated biography gives an intimate view of this talented umpire, from his birth in 1896 and long marriage to his death from diabetes in 1954. With research including interviews with former players as well as family members, the work provides a wealth of anecdotes and insights into his profession. The textbook McGowan wrote for his students is included as an appendix.
Itineraries in French Renaissance Literature
Itineraries in French Renaissance Literature brings together a full score of essays by established and rising American-based scholars of the early modern. Arranged according to five themes or genres: Tales and their Tellers, Poets and Poetry, Religious Controversy, Montaigne, and Knowledge Networks, they offer both fresh perspectives on canonical authors such as Marguerite de Navarre, Rabelais, Montaigne, Marot, Labé, and Hélisenne de Crenne, as well as original interpretations of less familiar works of sixteenth-century moment: confessional polemics, emblems, cartography, geomancy, epigraphy, bibliophilism and even ichthyology. Inspired by and gathered together here to honor the eclectic career of Mary B. McKinley, this anthology integrates many of the most pertinent topics and contemporary approaches of early modern French scholarly inquiry. Contributors are: Pascale Barthe, Leah L. Chang, Edwin M. Duval, Gary Ferguson, George Hoffmann, Robert J. Hudson, Karen Simroth James, Scott D. Juall, Virginia Krause, Kathleen Long, Stephen Murphy, Corinne Noirot, Jeff Persels, Bernd Renner, Nicolas Russell, Nicholas Shangler, Cynthia Skenazi, Kendall Tarte, Cara Welch, and Cathy Yandell.
Proustian Passions
A la recherche du temps perdu occupies an undisputed place in the unfolding intellectual history of the 'moi' in France. There is, however, a general tendency in writing on this novel to celebrate the wonders of the moi sensible uncritically. This effaces all that is morally dubious or frankly experimental about Proust's account of selfhood. It denies the rigour with which Proust tries to understand exactly why it is so difficult to explain one's own actions to another. The great party scenes, for example, or the countless digressions, read like manuals on how acts of self-justification take place. Proust, however, is not merely interested in some kind of taxonomy of excuses, hypocrisy, disi...
The Cambridge Companion to French Music
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Blood, Milk, Ink, Gold
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant ab...
The Performance of Nobility in Early Modern European Literature
This valuable study illuminates the idea of nobility as display, as public performance, in Renaissance and seventeenth-century literature and society. Ranging widely from Castiglione and French courtesy manuals, through Montaigne and Bacon, to the literature of the Grand Siècle, David Posner examines the structures of public identity in the period. He focuses on the developing tensions between, on the one hand, literary or imaginative representations of 'nobility' and, on the other, the increasingly problematic historical position of the nobility themselves. These tensions produce a transformation in the notion of the noble self as a performance, and eventually doom court society and its theatrical mode of self-presentation. Situated at the intersection of rhetorical and historical theories of interpretation, this book contributes significantly to our understanding of the role of literature both in analysing and in shaping social identity.
Montaigne
Word Study in Montaigne's Essais Modern readers in need of a precise understanding both of the changes in the French language over the last 400 years since the Essais was written and of the idiosyncracies of Montaigne's usage will appreciate these articles exploring the nuances and fluctuations in the meaning of many of Montaigne's words. These critical studies of Montaigne's vocabulary and its shifting contexts will aid in understanding how Montaigne's choice of words reflects his ability to take elements from his background of wide-ranging, life-long classical reading and blend them with his own original, unflagging curiosity and speculation about matters relating to contemporary life.
Medieval and Early Modern Representations of Authority in Scotland and the British Isles
What use is it to be given authority over men and lands if others do not know about it? Furthermore, what use is that authority if those who know about it do not respect it or recognise its jurisdiction? And what strategies and 'language' -written and spoken, visual and auditory, material, cultural and political - did those in authority throughout the medieval and early modern era use to project and make known their power? These questions have been crucial since regulations for governance entered society and are found at the core of this volume. In order to address these issues from an historical perspective, this collection of essays considers representations of authority made by a cross-se...
Of Chastity and Power
Through a reading of the texts of Lyly, Raleigh, Chapman, Spenser and Shakespeare, Berry explores the themes of sexuality and politics, classical myth and Neopatonic mysticism which became associated with Elizabeth I.
