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Invoking theories of popular culture, film, literature, drama, and tourism, contributors probe the emotional attachment and loyalty of many generations of readers to L.M. Montgomery's books.
Canadian literature, and specifically the teaching of Canadian literature, has emerged from a colonial duty to a nationalist enterprise and into the current territory of postcolonialism. From practical discussions related to specific texts, to more theoretical discussions about pedagogical practice regarding issues of nationalism and identity, Home-Work constitutes a major investigation and reassessment of the influence of postcolonial theory on Canadian literary pedagogy from some of the top scholars in the field.
From Timbits to totem poles, Canada is boiled down to its syrupy core in symbolic forms that are reproduced not only on t-shirts, television ads, and tattoos but in classrooms, museums, and courtrooms too. They can be found in every home and in every public space. They come in many forms, from objects—like the red-uniformed Mountie, the maple leaf, and the beaver—to concepts—like free healthcare, peacekeeping, and saying “eh?”. But where did these symbols come from, what do they mean, and how have their meanings changed over time? Symbols of Canada gives us the real and surprising truth behind the most iconic Canadian symbols revealing their contentious and often contested histories. With over 100 images, this book thoroughly explores Canada’s true self while highlighting the unexpected twists and turns that have marked each symbol’s history.
If one poet can be said to be the Canadian poet, that poet is Al Purdy (1918–2000). Numerous eminent scholars and writers have attested to this pre-eminent status. George Bowering described him as “the world’s most Canadian poet” (1970), while Sam Solecki titled his book-length study of Purdy The Last Canadian Poet (1999). In The Ivory Thought: Essays on Al Purdy, a group of seventeen scholars, critics, writers, and educators appraise and reappraise Purdy’s contribution to English literature. They explore Purdy’s continuing significance to contemporary writers; the life he dedicated to literature and the persona he crafted; the influences acting on his development as a poet; the ongoing scholarly projects of editing and publishing his writing; particular poems and individual books of poetry, fiction, and non-fiction; and the larger themes in his work, such as the Canadian North and the predominant importance of place. In addition, two contemporary poets pay tribute with original poems.
New perspectives on the literary classic that enchants and engages readers across times and cultures.
The original essays in Anne's World offer fresh and timely approaches to issues of culture, identity, health, and globalization as they apply to Montgomery's famous character and to today's readers.
Gabrielle Roy and the creative ambivalence of bilingualism.
Poet, traveller, artist, and mystic - the story of one extraordinary woman's many lives.
At the heart of some of the most beloved children’s novels is a passionate discussion about discipline, love, and the changing role of girls in the twentieth century. Joe Sutliff Sanders traces this debate as it began in the sentimental tales of the mid-nineteenth century and continued in the classic orphan girl novels of Louisa May Alcott, Frances Hodgson Burnett, L. M. Montgomery, and other writers still popular today. Domestic novels published between 1850 and 1880 argued that a discipline that emphasized love was the most effective and moral form. These were the first best sellers in American fiction, and by reimagining discipline as a technique of the heart—rather than of the whip...
This book focuses on six of Miriam Toews’s Mennonite novels—Swing Low: A Life (2000), A Complicated Kindness (2004), Irma Voth (2011), All My Puny Sorrows (2014), Women Talking (2018), and Fight Night (2021)—, so called because they portray fictional and autobiographical events, set in Mennonite communities in Canada, Mexico, and Bolivia. Rita Dirks argues that through the exploration of difficult subjects such as the physical and emotional abuse of teenaged girls, women, and children , Toews gives a voice to victims and survivors who are otherwise silenced in that sequestered culture. In addition, Dirks shows that in the Mennonite novels, Toews’s rage at the injustices experienced by her protagonists becomes a transformative art that gives a voice to all stories, especially those of women within authoritative patriarchal communities that openly proclaim pacifism.