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Just a Dead Man
Laura Marsh, an art teacher and single mother, is horrified when a visiting friend--a Zimbabwean refugee and an artist--finds a corpse in the plantations near her home. When the friend, Daniel, is arrested for the murder, Laura assumes he has been pegged due to his being a foreigner. However, a connection between Daniel and the dead man emerges, and the situation becomes even more complicated as some politically well-connected people are lurking in the background of the case. Resenting the police's unwillingness to look beyond Daniel for a suspect, Laura puts her own life at risk. The story of a woman trying to move on following her divorce, this crime novel also touches upon the issues of xenophobia and racism in South Africa.
Decolonizing the Memory of the First World War
Decolonizing the Memory of the First World War contributes to the imperial turn in First World War studies. This book provides an exploration of the ways in which war memory can be appropriated, neglected and disabled, but also “unlearned” and “decolonized”. The book offers an analysis of the experience of soldiers of colour in five novels published at the centenary of the First World War by David Diop, Raphaël Confiant, Fred Khumalo, Kamila Shamsie and Abdulrazak Gurnah, examining the poetics and the politics of the conflict’s commemoration. It explores continuities between WWI and earlier and later eruptions of violence, thus highlighting the long-lasting sequels of the first gl...
South African Theatre as/and Intervention
One of the most striking features of cultural life in South Africa has been the extent to which one area of cultural practice - theatre - has more than any other testified to the present condition of the country, now in transition between its colonial past and a decolonized future. But in what sense and how far does the critical force of theatre in South Africa as a mode of intervention continue? In the immediate post-election moment, theatre seemed to be pursuing an escapist, nostalgic route, relieved of its historical burden of protest and opposition. But, as the contributors to this volume show, new voices have been emerging, and a more complex politics of the theatre, involving feminist ...
You Never Really Know
Meet our hero Cappuccino – barista to the President – who’s never lived anywhere other than in the big man’s compound. Left in the care of Maria-I’m-not-your-mother when his real mom died, Cappuccino spent his boyhood in the laundry room before receiving his true calling. From behind his impressive chrome coffee machine, Cappuccino is a fly on a very important wall. And, more importantly, he is in love with the captivating Naomi, an assistant to the President. But life is about to serve Cappuccino a bitter cup when he finds the Minister without Portfolio – and moral compass to The Boss – dead in the presidential home. Filled with warm humour, John Hunt’s novel serves up a double shot of pathos as it moves from playful satire to true tragedy whilst examining the inner workings of power.
Around The World With Mark Twain
On July 14, 1895, Samuel Langhorne Clemens, fifty-nine years old and deeply in debt, boarded a night train to Cleveland, launching a performance tour designed to alleviate his financial woes, and, more importantly, resuscitate his alter ego, Mark Twain. The journey took him to Fiji, Australia, New Zealand, India, and South Africa, and led to the resurrection of Twain as a celebrity. Equal parts travelogue, social history, and biography, Around the World with Mark Twain paints a decidedly different portrait of Clemens: a more tragic, darker figure who faced financial ruin and personal loss throughout his life. Around the World with Mark Twain delights while deepening our understanding of this magnificent personality.
I am Pandarus
In a London gay bar, a charismatic stranger accosts an editor still raw from his lover's abandonment. The stranger insists he is the modern avatar of Pandarus, intent on getting his version of events published to country the unflattering portrait of him that Shakespeare has given to the world. And so begins Michiel Heyns's eighth novel, a modern retelling of the story of Troilus and Criseyde, set during the tenth year of the Trojan War, with both sides of the conflict exhausted and the supreme warrior Achilles sulking in his tent. This urbane and sparking rendition of the classical tale is interspersed with meetings between the editor and Pandarus, as the latter supplies instalments of his tale. I am Pandarus combines shrewd domestic comedy with high heroic tragedy in an original exploration of the nature of love, friendship, warfare and loss.
Katy's Kid
This vividly textured tale of risk and betrayal juxtaposes an unlikely trio of two women and the child who both connects and divides them. An intimate portrayal of the bare-bones struggle for survival in the world's oldest profession, it is also a luminous page-turner about love in its limitless guises; about motherhood, sisterhood and friendship. From a tiny apartment in Cape Town, Katy works as a prostitute while raising her daughter Jody. Out of the blue, Katy's most trusted regular commits an appalling crime against the little girl, forcing Katy to make a devastating choice. Maggie is a hooker with a secret. She forges an unbreakable bond with young Jody while Katy, strident and embattled, is compelled to retrace the destructive decisions that threaten to separate her from her daughter forever. Together Katy, Jody, Maggie and the web of intriguing characters they encounter take the reader on a moving journey into unchartered regions of the human heart.
A Sailor's Honour
Pierre de Villiers has walked a hard road. Tortured by his own army, his family killed, surviving cancer; his new life in New Zealand is supposed to bring him peace. But just when his life seems to be on an even keel, his daughter is kidnapped in Auckland and his brother-in-law's wife abducted in Durban. What possible common enemy might the brothers-in-law have? The clues to the riddle stretch from Nazi u-boats of Africa's coast to a sinister Third Force pulling the strings of darkest South African history. Determined to defend his family. De Villiers is cast opposite "the major" in a life-or-death battle raging from Auckland to Durban and Hamburg. And on a bigger stage, the major's Force is not done yet; its final statement will be its most violent.
