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Creative Music Composition is designed to be an introductory textbook for music students. "Creative composition"-composing in your own style, rather than in the style of a composer of the past-is embraced by music educators not only for composition students, but for beginning performers and music educators, and is often offered to all music students and non-music majors who wish to enhance their musical creativity. With 25 years of experience teaching fledgling composers, the author tackles the key ingredients that make for successful composition, including: stimulus to the musical imagination; discussion of a variety of current musical languages; analysis of many examples from contemporary ...
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Overview: The Salem witch hunt of 1692 represents one of the grimmest events in early American history. It is the story of innocent people caught in a web of intrigue from which they could not extricate themselves. The author, himself a descendant of one of those executed, argues masterfully that the witch hunt was driven by conspiracies of envious men intent on destroying their enemies. Sanctioned by the old guard of Puritan leaders, these men arrested two hundred people for witchcraft, twenty-eight of whom were executed or died in prison. The convergence of religious, social, political, and economic forces that sparked the accusations and trials are laid out clearly and concisely, exploring the motives and relationships of those who fanned the flames of the witch hunt. Robinson also provides a closer look at the lives of seventy-five of the people accused as witches, analyzing their places in the community and shedding light on why they were targeted.
Focusing purely on Queen Elizabeth II's relationship with television, this book shows how she was ahead of the game in helping to change the face of British television from the outset of her reign in 1953 when she let the cameras into Westminster Abbey. The Queen embraced television at a time when Winston Churchill and her government advisors recommended that she should keep them out - on the grounds that the cameras would destroy her royal mystique - right through the 1950s which was Britain s television decade (for reasons that are not generally understood today), when Britain became the first nation in the world to have public service television. In 1969 the Queen opened the doors to the ...
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