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Tiwanaku
Introduces the striking artwork and fascinating rituals of this highland culture through approximately one hundred works of art and cultural treasures.
Andean Textile Traditions
The Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art at the Denver Art Museum sponsors annual symposia in these two fields of art. This volume presents essays on Andean textiles from the 2001 symposium. Color reproductions of many of these works illustrate the essays, which include: Weaving Principles for Life: Discontinuous Warp and Weft Textiles of Ancient Peru by Jane W. Rehl, Savannah College of Art and Design Class, Control, and Power: The Anthropology of Textile Dyes at Pacatnamu by Ran Boytner, Cotsen Institute of Archaeology, UCLA Four-Part Head Cloths from the Peruvian Central Coast by Margaret Young-Sánchez, Denver Art Museum Cosmology in Inca Tunics and Tectonics by Marianne Hogue, Virginia Commonwealth University Inka Colonial Tunics: A Case Study of the Bandelier Set by Joanne Pillsbury, Dumbarton Oaks Contemporary Andean Textiles as Cultural Communication by Andrea M. Heckman, University of New Mexico
Cartier in the 20th Century
Created with the full co-operation of Cartier, this exquisite book showcases the rich holdings of the Cartier Collection and archive. It features not only a sumptuous array of rings, bracelets, necklaces, and tiaras, but also cocktail and smoking accessories, mystery clocks and lavish objects created by Cartier's ateliers in Paris, London and New York. Organized thematically, the book features magnificent jewels and accessories owned by such arbiters of taste as Daisy Fellowes, the Duchess of Windsor, Princess Grace, Barbara Hutton and Elizabeth Taylor. Throughout, specially commissioned photographs of Cartier's legendary jewels are accompanied by vintage photographs - drawn from the Condé Nast and Cartier archives - of these royals, socialites and Hollywood stars in their Cartier finery, including work by Steichen, Horst, Beaton and Charbonneau.
Pre-Columbian Art and Archaeology
Symposia presented at the Denver Art Museum in 2002 and 2007 focused, respectively, on pre-Columbian art in the museum collection and the art and archaeology of ancient Costa Rica. Edited by Denver Art Museum curator Margaret Young-Sánchez, this lavishly illustrated volume brings together newly revised and expanded symposium papers from pre-Columbian scholars, while paying tribute to the legacy of Denver philanthropist Frederick R. Mayer--a generous supporter of archaeological and art historical research, scientific analysis, and scholarly publication. Archaeology's elder statesman Michael Coe (Yale University) provides a lively description of twentieth-century pre-Columbian archaeology and...
Costume and History in Highland Ecuador
The traditional costumes worn by people in the Andes—women's woolen skirts, men's ponchos, woven belts, and white felt hats—instantly identify them as natives of the region and serve as revealing markers of ethnicity, social class, gender, age, and so on. Because costume expresses so much, scholars study it to learn how the indigenous people of the Andes have identified themselves over time, as well as how others have identified and influenced them. Costume and History in Highland Ecuador assembles for the first time for any Andean country the evidence for indigenous costume from the entire chronological range of prehistory and history. The contributors glean a remarkable amount of infor...
Marajó
Chief curator of Pre-Columbian art at the Denver Art Museum, Young-Sanchez presents a volume to accompany the September 2011 exhibition of 13 ceramic pieces from the Marajo culture, where the earliest ceramics in the Americas have been found. Archaeologist Schaan (Federal U. of Para) also reports her findings from excavations on Marajo Island on the symbolics of Marajoara social life. The catalogue is not indexed. Distributed by University of Oklahoma Press. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com).
The Stone and the Thread
"Shows that precolumbian tectonic forms (especially as found in sculpture and weaving) appear to be an overlooked source, or anticipation, of much of the art of the 20th century. Second part of book deals with artifacts as American art and addresses reception of ancient tectonics in the 20th century. Emphasizes intense relationship that some members of the New York School (particularly Barnett Newman and Adolph Gottlieb) had during 1940s with the aboriginal arts of the North American part of the hemisphere and thus the affinities between their work and the work of the older Torres Garcâia in Montevideo, at the other end of the continent"--Handbook of Latin American Studies, v. 58.
Intergenerational Learning in Practice
Based on innovative global practice, Intergenerational Learning in Practice presents a unique contribution to the field of intergenerational learning. Drawing on the Together Old and Young (TOY) programme, this book provides a comprehensive background to intergenerational learning, along with tools and resources to help develop and improve your own intergenerational practice. Experienced international authors from Europe, North America and Australia provide a broad array of perspectives on intergenerational learning, ranging from pedagogy to planning and community development, and cover topics including: The context, theory and existing research behind intergenerational learning The changing...
