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Presents a survey of key contemporary artists who have each embraced painting and are working within a realist tradition. Through individual interviews, discusses their methods, motives and sources, from art history to the Internet and the language of film.
Art today can be whatever one wants it to be: a rotting cadaver, a photograph of someone else’s photograph, a banana... In this post-modern age of post-truth, of social media and the selfie, when everyone has a high-resolution digital camera at their fingertips, one wonders what would possess a talented artist to sit for days, weeks, often months, to paint a portrait of a friend or a landscape of home. Today, a group of 20 or so remarkable painters have revived a fascinating style of realistic painting, and in Israel of all places, where realistic art has never played any significant role. Their brand of realism is not mundane photographic realism, but rather it is an intensified sort of realism, a kind of hyper-realism. This book offers an initial explanation as to what these artists are doing, and how they are doing it.
Sports and Violence is an edited collection arising out of the 2016 Sports and Violence Conference, hosted at the Ashland Center for Nonviolence at Ashland University, Ohio, USA. This volume contains 11 essays authored by a range of scholars reflecting on the confluence of violence within organized sports. The three sections of the book (history, theory, and practice) create a full-scale exploration of this topic. The authors not only detail past phenomena of sports violence, but also offer ethnographic and sociological explorations alongside philosophical treatments of sports violence. Crucial to the volume’s treatment of a wide range of phenomena associated with sports violence is not only how it addresses violence within sport, but also how it considers the ways that sport fosters and mitigates violence outside of sports, and how audiences and spectators contribute to, and are shaped by, the practice of sports.
This is the first book to look at an increasingly popular form of street art: the paste-up or 'wheatie'. Many street artists don’t graffiti or stencil any more but use pre-prepared paper images that can be taken down, thereby avoiding a vandalism charge. The book shows the work of 20 artists, with photographs of their art in situ, a brief profile, and a fold-out paste-up. The fold-out pages are perforated so they can easily be removed. Some of the paste-ups are laser cut with attaching tags so they can be popped out. There's also an introductory interview with cult street artists Sten & Lex.
This book reveals how all kinds of visual artists (contemporary artists, street artists, photographers and even product designers) are using miniatures and miniaturized worlds in order to create startling situations and memorable images. Miniatures and miniaturized settings induce a disquieting experience of distance, and artists use it to explore very contemporary feelings of alienation, displacement and estrangement. But if seeing things from a great distance can make you feel cut off from them, and make you feel lonely and insignificant, it can also inspire awe and contemplation. The miniaturized strategy plays many tricks with the viewer. It generates distance not just in terms of space,...
Stencil Republic is a pure celebration of the art of the stencil. The 20 stencils featured, printed on perforated card stock so that they can be cut out and used, have been created by international artists from across the street art scene, from the old masters to the new kids on the block. A collector's item in its own right, this is a book of stencils that can be used and treasured or just simply be an inspiration to others to create.
Painting is a continually expanding and evolving medium. The radical changes that have taken place since the 1960s and 1970s the period that saw the shift from a modernist to a postmodernist visual language have led to its reinvigoration as a practice, lending it an energy and diversity that persist today. In Contemporary Painting, renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of the subject: a rigorous critical snapshot that brings together more than 250 renowned artists from around the world, whose ideas and aesthetics characterize the painting of our time. These luminaries include Cecily Brown, Theaster Gates, Josh Smith, Jenny Saville, Julie Mehretu, Takashi Murakami, Gabriel Orozco, Christina Quarles, Kara Walker, Kehinde Wiley, Zhang Xiaogang and many others. Organized into seven thematic chapters exploring aspects of contemporary painting, this is an essential volume for art history enthusiasts, students, critics and practitioners.
Containing 21 detachable postcards of miniature scenes in which naughty little people engage in surprising, funny, titillating, or simply obscene behavior, this book gives readers a humorous look beneath the veneer of polite society. Artists Vincent Bousserez, Etienne Clement, Daniel Dorall, Jonah Samson, and Lisa Swerling make stunning use of miniature scenes to create startling situations and amusing, memorable images. The pictures play with the notions of surprise and hidden drama, inviting the viewer to take a peek into the darkly funny depths of human behavior—from the silly and the crude to the disturbing and the mysterious. Ideal for sharing with or sending to friends, this postcard book is an original, fun and amusing gift for adults (or overgrown kids!)
He's like Banksy -- but not as big...They're Not Pets, Susan,' says a stern father who has just shot a bumblebee, its wings sparkling in the evening sunlight; a lone office worker, less than an inch high, looks out over the river in his lunch break, 'Dreaming of Packing it all In'; and a tiny couple share a 'Last Kiss' against the soft neon lights of the city at midnight. Mixing sharp humour with a delicious edge of melancholy, Little People in the City brings together the collected photographs of Slinkachu, a street-artist who for several years has been leaving little hand-painted people in the bustling city to fend for themselves, waiting to be discovered. . . 'Oddly enough, even when you know they are just hand-painted figurines, you can't help but feel that their plights convey something of our own fears about being lost and vulnerable in a big, bad city.' The Times
The essays in this volume use football to create a dialogue between history and other disciplines, including art criticism, philosophy, and political science. The study of football provides fertile ground for interdisciplinary initiatives and this volume explores the disciplinary boundaries that are shifting “beneath our feet.” Traditional disciplines in the humanities and social sciences have come to embrace diverse research methodologies and the increased scholarly attention to football over the past decade reflects both the startling popularity of the sport and the trends in historical scholarship that have been termed the “cultural,” “interpretive,” or “linguistic” turns. This volume includes work on gender, sexuality, and ethnicity, which have challenged disciplinary fault-lines.