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The frescoes of Peruzzi, Raphael and Sodoma still dazzle visitors to the Villa Farnesina, but they survive in a stripped-down environment bereft of its landscape, sealed so it cannot breathe. Turner takes you outside that box, restoring these canonical images to their original context, when each element joined in a productive conversation. He is the first to reconstruct the architect-painter Peruzzi's original, well-proportioned, well-appointed building and to re-visualize his lost façade decoration‒erotic scenes and mythological figures who make it come alive and soar upward. More comprehensively than any previous scholar, he reintegrates painting, sculpture, architecture, garden design, topographical prints and drawings, archaeological discoveries and literature from the brilliant circle around the patron Agostino Chigi, the powerful banker who 'loved all virtuosi' and commissioned his villa-palazzo from the best talents in multiple arts. It can now be understood as a Palace of Venus, celebrating aesthetic, social and erotic pleasure.
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From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
Adolf Hitler’s Great War military experiences in no way qualified him for supreme command. Yet by July 1940, under his personal leadership the Third Reich’s armed forces had defeated Poland, Czechoslovakia, Holland, Denmark, Norway, Belgium and France. The invasion of Great Britain was a distinct reality following Dunkirk. Hungary, Bulgaria and Romania had become allies along with the acquiescent military powers of Mussolini’s Italy and Franco’s Spain. These achievements prompted Field Marshal Willem Keitel, the Wehrmacht’s Chief of Staff, to pronounce Hitler to be ‘the Greatest Commander of all time’. Storm clouds were gathering, most notably the disastrous decision to tear up...
Der Band liefert einen wichtigen Beitrag zu den anhaltenden Debatten über das Deutsche Kaiserreich (1871–1918). Ausgewiesene Kaiserreichexperten internationaler Provenienz geben einen Überblick über den aktuellen Forschungsstand und werfen neue, richtungweisende Fragen auf. Das Buch ist an vier Achsen ausgerichtet, die Themen und Probleme markieren, auf die sich die Kontroversen über das Kaiserreich in den letzten Jahren konzentriert haben: die Verortung des Kaiserreichs in der deutschen Geschichte; das Verhältnis von Gesellschaft, Politik und Kultur; Formen militärischer Gewalt mit ihrem Brennpunkt im Ersten Weltkrieg und schließlich die transnationale Verflechtung Deutschlands im Zeitalter der »ersten Globalisierung«.
"After the Bauhaus's closing in 1933, many of its protagonists movd to the United States, where their acceptance had to be cultivated. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the paterns of fame-making that became typical of the post-World War II art world."--BOOK JACKET.