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Poèmes
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Maria Barnas
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Poetry from the Netherlands
Dutch Poetry translated into English Edited by David Colmer. The issue features Martinus Nijhoff, Gerrit Achterberg, M. Vasalis, Hanny Michaelis, Gerrit Kouwenaar, Lucebert, Hans Lodeizen, Jan Arends, Remco Campert, Hans Faverey, Cees Nooteboom, Bernlef, Toon Tellegen, Neeltje Maria Min, Anna Enquist, Frank Koenegracht, Hester Knibbe, Joke Van Leeuwen, Benno Barnard, Elma Van Haren, Esther Jansma, Nachoem M. Wijnberg, Menno Wigman, Erik Lindner, Mark Boog, Hagar Peeters, Maria Barnas, Alfred Schaffer, Mustafa Stitou, Ramsey Nasr, Kira Wuck, Ester Naomi Perquin, Marieke Lucas Rijneveld, Donald Gardner and Jane Draycott. Translators for the issue include James Brockway, David Colmer, Donald Gardner, Vivien D. Glass, Michele Hutchison, Francis R. Jones, David McKay, Scott Rollins and Judith Wilkinson.
Song for Three Rooms. Maria Barnas
In her poetry, sculptures and films, Maria Barnas examines the concrete aspects of language and the way that we connect things with words. 'Song for three rooms' is an installation with glass objects and sound, based on the idea of formulation and perception as an extended and fragmented form of exploration. Stuttering, sometimes flowing, Maria Barnas lets us hear TR-EYE-ING: a single word that spans three spaces.00'Song for three rooms' is the first in a series of exhibitions titled 'Vestibulum'. This title refers to the exhibition space: the original entrance of the Kröller-Müller Museum, designed by architect Henry van de Velde. Every six months the museum invites an artist to create a presentation for this currently undefined space.00Exhibition: Museum Kröller-Müller, Otterlo, The Netherlands (17.11.2018-31.03.2019).
Box, Pit, and Gallery
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1953.
How Art Works
"How Art Works explores puzzles that have preoccupied philosophers as well as the general public: Can art be defined? How do we decide what is good art? Why do we gravitate to sadness in art? Why do we devalue a perfect fake? Could 'my kid have done that'? Does reading fiction enhance empathy? Drawing on careful observations, probing interviews, and clever experiments, Ellen Winner reveals surprising answers to these and other artistic mysteries. We may come away with a new understanding of how art works on us."--Jacket.
Grief, Identity, and the Arts
Death and grief have often elicited the response of creativity, from elegies and requiems to memorial architecture. Such artistic expressions of grief form the focus of Grief, Identity, and the Arts, which brings together scholars from the disciplines of musicology, literature, sociology, film studies, social work, and museum studies. While presenting one or more case studies from a range of artistic disciplines, historical periods, or geographical areas, each chapter addresses the interdependence of grief and identity in the arts. The volume as a whole shows how artistic expressions of grief are both influenced by and contribute to constructions of religious, national, familial, social, and artistic identities. Contributors to this volume: Tammy Clewell, Lizet Duyvendak, David Gist, Maryam Haiawi, Owen Hansen, Maggie Jackson, Christoph Jedan, Bram Lambrecht, Carlo Leo, Wolfgang Marx, Tijl Nuyts, Despoina Papastathi, Julia Płaczkiewicz, Bavjola Shatro, Caroline Supply, Nicolette van den Bogerd, Eric Venbrux, Janneke Weijermars, Miriam Wendling, and Mariske Westendorp.
Where the Desert Meets the Cedar
Join in the remarkable and inspiring journey of a young woman jumping off the cliff, overcoming her own fears, and leaving behind the country she called home for 25 years to explore new horizons, cultures and people, and delving into a journey of healing and spiritual depth that led her to uncover more and more of her own personal and objective truth by following her hearts desire and her passion for horses. Exploring the way of the horse has helped her to establish boundaries, become a leader in empowering ones self, and assist people in healing themselves through the horse. When her husband passes away, she drew inward to explore the spiritual realms even more deeply than before, being guided on another amazing journey exploring the inner world and other realms, ultimately realizing that there is no death and that death means just a change in form. This inward journey compliments her outer world and reveals her life mission, in which she chooses to give up everything in order to follow her deeper calling.
A for Alibi
How does science transform observations into scientific facts? What is the role of interpretation in the construction of knowledge? How could art re-signify a historical process? Such are some of the questions raised in A for Alibi, a book which explores the boundaries of scientific practice and art. In the last few decades, a new branch of historical studies, called "experimental history" has begun to investigate scientific processes from a particular perspective, derived from a "hands-on" methodology. Scientific instruments are utilized and combined to become a direct source that leads to an understanding not just of scientific history but also of scientific practice. Similar to contempora...
