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Indigenous Dispossession
Following the recent global housing boom, tract housing development became a billion-dollar industry in Mexico. At the national level, neoliberal housing policy has overtaken debates around land reform. For Indigenous peoples, access to affordable housing remains crucial to alleviating poverty. But as palapas, traditional thatch and wood houses, are replaced by tract houses in the Yucatán Peninsula, Indigenous peoples' relationship to land, urbanism, and finance is similarly transformed, revealing a legacy of debt and dispossession. Indigenous Dispossession examines how Maya families grapple with the ramifications of neoliberal housing policies. M. Bianet Castellanos relates Maya migrants' ...
Indian Pilgrims
Kateri Tekakwitha is the first North American Indian to be canonized as a saint by the Roman Catholic Church. Indian Pilgrims examines Saint Kateri's influence and role as a powerful feminine figure who inspires decolonizing activism in contemporary Indigenous peoples' lives.
The Serpent's Plumes
Draws on Nahua concepts to explore Nahua literary production and contributions to cultural activism from the 1980s to the present. The Serpent's Plumes analyzes contemporary Nahua cultural production, principally bilingual Nahuatl-Spanish xochitlajtoli, or "poetry," written from the 1980s to the present. Adam W. Coon draws on Nahua perspectives as a decolonizing theoretical framework to argue that Nahua writers deploy unique worldviews-namely, ixtlamatilistli ("knowledge with the face," which highlights the value of personal experiences); yoltlajlamikilistli ("knowledge with the heart," which underscores the importance of affective intelligence); and tlaixpan ("that which is in front," which presents the past as lying ahead of a subject rather than behind). The views of ixtlamatilistli, yoltlajlamikilistli, and tlaixpan are key in Nahua struggles and effectively challenge those who attempt to marginalize Native knowledge production.
Sound Relations
Sound Relations delves into histories of Inuit musical life in Alaska to register the significance of sound as integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across a range of genres--from hip hop to Christian hymnody and traditional drumsongs to funk and R&B --author Jessica Bissett Perea registers how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out entanglements between structures of Indigeneity and colonialism. This work dismantles stereotypical understandings of Eskimos, Indians, and Natives by addressing the following questions: What exactly is Native about Nati...
Gustos and Gender
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Vernacular Worlds, Cosmopolitan Imagination
This collection addresses broad questions of ethics and aesthetics in the framework of vernacular cosmopolitanism. With a common anthropological focus, the essays map literary and artistic practices involving cross-cultural transactions shaped by social forces, institutions, and the multiple mediations of the imagination. Some essays are based on community-based fieldwork, while all encompass an affective immersion in the places we inhabit, and the claims these make on the body’s intelligibility. The authors consider the role of artists, writers, and literary scholars as cultural actors in a variety of settings, grassroots, regional, trans-regional, and global. Topics include: the role of ...
Comparative Indigeneities of the Américas
Comparative Indigeneities of the Américas highlights intersecting themes such as indigenismo, mestizaje, migration, displacement, autonomy, sovereignty, borders, spirituality, and healing that have historically shaped the experiences of Native peoples across the Américas. In doing so, it promotes a broader understanding of the relationships between Native communities in the United States and Canada and those in Latin America and the Caribbean and invites a hemispheric understanding of the relationships between Native and mestiza/o peoples.
Reckoning with Change in Yucatán
Reckoning with Change in Yucatán engages with how best to look upon and respond to change, arguing that this debate is an important arena for negotiating local belonging and a force of transformation in its own right. For residents of Chunchucmil, a historic rural community in Yucatán, Mexico, history is anything but straightforward. Living in what is both a defunct 19th-century hacienda estate and a vibrant Catholic pilgrimage site, Chunchucmileños reckon past, present, and future in radically different ways. For example, while some use the aging estate buildings to weave a history of economic decline and push for revitalization by hotel developers, others highlight the growing fame of t...
Mayan Journeys
"Yucatán, an impoverished state in southern Mexico, has recently emerged as a significant source of US-bound migrants. Why did this state's indigenous population wait so long to enter the migration stream, and how do their experiences differ from those of earlier more traditional migrants? Mayan Journeys explores how internal migration to southern Mexico's tourist resorts serves as a springboard for international migration and how the new migrants navigate enhanced obstacles at the US-Mexico border and enter the US labor force. Drawing on an extensive 2006 survey of migrants and potential migrants in Tunkás, Yucatán, and its satellite communities in Southern California, the authors provide new evidence of the failure of US border enforcement to deter undocumented migration from Mexico"--Publisher's description.
Indigenous Materials in Libraries and the Curriculum
Indigenous Materials in Libraries and the Curriculum: Latin American and Latinx Sources argues for a decolonial engagement with Indigenous peoples’ creative work to build awareness of divergent epistemologies and foster healing in the learning community. This book explores how faculty and librarians can collaborate to develop inclusive library collections and curricula by supporting Indigenous peoples’ reclamation of lands and languages. The authors present practices to build and disseminate collections that showcase the work of Indigenous creators from Latin America and compensate for historical erasure and misrepresentation. Consideration is also given to developing a non-hegemonic cur...
