You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The startling, frighteningly convincing sequel to The Holy Blood and the Holy Grail that reveals the very nature of the Messianic Legacy. After the shocking revelations of The Holy Blood and the Holy Grail the authors, in their quest to determine the discrepancies between early and modern 'Christian' thought, found that they were forced to ask such questions as: *Was there more than one Christ? *Was Christ the founder of Christianity? *Were the disciples as peace-loving as it is traditionally assumed? *What links the Vatican, the CIA, the KGB, the Mafia, Freemasonry, P2, Opus Dei and the Knights Templar *What mysterious modern crusade implicates British industry, Churchill and de Gaulle, the...
What is aesthetic value? A property in an object? An experience of a perceiving person? An ideal object existing in a mysterious sphere, inaccessible to normal cognition? Does it appear in one form only, or in many forms, perhaps infinitely many? Is it something constant, immutable, or rather something susceptible to change, depending on the individual, the cultural milieu, or the epoch? Is a rational defence of aesthetic value judgements possible, or is any discussion of this topic meaningless? The above questions arise out of the most complicated philosophic problems. Volumes have been written on each of them. The discussions which continue over the centuries, the plurality of views and su...
This book studies attitudes toward secular literature during the later Middle Ages. Exploring two related medieval justifications of literary pleasure—one finding hygienic or therapeutic value in entertainment, and another stressing the psychological and ethical rewards of taking time out from work in order to refresh oneself—Glending Olson reveals that, contrary to much recent opinion, many medieval writers and thinkers accepted delight and enjoyment as valid goals of literature without always demanding moral profit as well. Drawing on a vast amount of primary material, including contemporary medical manuscripts and printed texts, Olson discusses theatrics, humanist literary criticism, prologues to romances and fabliaux, and Chaucer's Canterbury Tales. He offers an extended examination of the framing story of Boccaccio's Decameron. Although intended principally as a contribution to the history of medieval literary theory and criticism, Literature as Recreation in the Later Middle Ages makes use of medical, psychological, and sociological insights that lead to a fuller understanding of late medieval secular culture.
In this collection of twelve essays, the editors attempt to define the poet as prophet in Western literature and to select the general attributes of prophetic writing. The essays focus, in the main, on the prophetic tradition in the English-speaking world, as well as on a sufficient number of writers outside that tradition, to prove that all prophetic writing shares common features.
Wadzek takes on the ruthless might of industrialist Rommel, the "moloch" of industry, and he is defeated and ruined. His business is destroyed and he is disorientated and driven to the edge of reason.But there is hope: Wadzek abandons Europe and sails away to America taking Gaby, Rommel's beautiful ex-mistress with him
The Civilizations of the First and Second Man have been destroyed by the products of their own technology. Now the world is emerging from a new dark age into the dawn of a second Middle Ages. Britain is dominated by a Luddite Church and by the doctrine that all machines are evil. Into this strange world comes Kieron, an artist's apprentice who is inflamed by a forbidden dream - to construct a flying machine which will enable man to soar through the air like a bird.
The alien ruins that dotted Earth's landscape were an enigma. Archaeologist Rond Heshke dismissed as a ridiculous hoax the photographic evidence which suggested that the ruins disobeyed the laws of time. The Titanium Legions believed that the ruins had been left behind by an invading force from space, which had been repelled in a past age and whose imminent return was feared. It was not until the Titanium scientists perfected their time machines that the truth began to emerge piece by piece: that the builders of the ruins belonged not to the stars but to Earth's own future, and that the dreaded confrontation was indeed shortly due - not with aliens, but in a form more horrifying, more calamitous, than anything imaginable... For Earth was to be the victim of an extraordinary cosmic accident. Time itself was about to collide! Mankind's leaders became even more fanatical, pressing on with new plans, determined at all costs to survive...