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The Science of Naples
Long neglected in the history of Renaissance and early modern Europe, in recent years scholars have revised received understanding of the political and economic significance of the city of Naples and its rich artistic, musical and political culture. Its importance in the history of science, however, has remained relatively unknown. The Science of Naples provides the first dedicated study of Neapolitan scientific culture in the English language. Drawing on contributions from leading experts in the field, this volume presents a series of studies that demonstrate Neapolitans’ manifold contributions to European scientific culture in the early modern period and considers the importance of the c...
The Case for The Enlightenment
An interesting and ambitious comparative study of the emergence of Enlightenment in Scotland and Naples. Challenging the tendency to fragment the Enlightenment in eighteenth-century Europe into multiple Enlightenments, John Robertson demonstrates the extent to which thinkers in two societies at the opposite ends of Europe shared common intellectual preoccupations.
Souls of Naples
In this volume you will find stories about hyperactive relics, ghosts in spiritual or bodily form, as well as accounts of the dead being conjured, resurrected, and brought back to life from decomposing matter. This is not so much for the purpose of assembling a kind of Neapolitan Wunderkammer, but rather to allow these bodies – in physical or spiritual form, or sometimes both at the same time – to speak as protagonists, and to offer their own contribution to the historical anthropology of the Kingdom of Naples. This volume explores the boundaries between body and spirit, life and death, as well as the natural, preternatural, and supernatural in the long early modern era in southern Italy.
Anonymity in Eighteenth-Century Italian Publishing
This book focuses on the different forms in which authorship came to be expressed in eighteenth-century Italian publishing. It analyses both the affirmation of the “author function”, and, above all, its paradoxical opposite: the use of anonymity, a centuries-old practice present everywhere in Europe but often neglected by scholarship. The reasons why authors chose to publish their works anonymously were manifold, including prudence, fear of censorship, modesty, fear of personal criticism, or simple divertissement. In many cases, it was an ethical choice, especially for ecclesiastics. The Italian case provides a key perspective on the study of anonymity in the European context, contributing to the analysis of an overlooked topic in academic studies.
Cheap Print and the People
In every country across Europe, at some point or other during the last five hundred years, cheap printed materials were the staple diet of ordinary people, providing a rich array of entertainment, education, and information. They came in various forms, but were usually variations on the theme of single sheets or simple booklets, and they were carried far and wide in pedlars’ packs and sold in the streets, at fairs and markets and wherever crowds gathered, as well as in backstreet shops. Their content was as broad as can be imagined: news and scandal, crimes and last-dying confessions of murderers, divinations, instructional works, wonder stories, miracles, folktales and legends, love stori...
I disegni inediti di Domenico Cirillo nella Società dei Naturalisti in Napoli
Dal riordinamento dell’Archivio della Società dei Naturalisti in Napoli riappaiono, dopo duecentoventi anni, alcuni disegni di insetti e piante di Domenico Cirillo (1739-1799), fortunosamente scampati alla furia dei sanfedisti quando saccheggiarono e distrussero la sua casa. Si trovavano confusi fra le carte del suo discepolo e amico Filippo Cavolini (1756-1810). Studiati con cura in questo volume, vengono per la prima volta resi noti agli studiosi e agli ammiratori del grande medico e naturalista, morto per i suoi ideali di giustizia e per il rinnovamento della società di antico regime. Arricchiscono il volume, oltre a contributi che documentano i contatti che Cirillo ebbe con artisti e tipografi, informazioni sui costi che sostenne per la pubblicazione dei suoi libri, a cui si aggiunge la storia occorsa alla carte manoscritte di Filippo Cavolini e della famiglia De Mellis, che confluirono nella Società dei Naturalisti.
