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Il presente testo nasce da una esperienza di tirocinio, diretto e indiretto, per il conseguimento della laurea magistrale presso l'ISSR di Mantova. La maggioranza degli allievi era formata da insegnanti di religione cattolica; ma c'era anche qualche aspirante al diaconato permanente o ad altro ministero ecclesiale. Alla fine la differenza tra gli uni e gli altri non è risultata così significativa. Ciascuno, nel suo contesto professionale o pastorale, ha sperimentato la ricchezza della relazione d'aiuto, condotta con attenzione alla metodologia proposta, che ha riguardato vari aspetti. Le testimonianze raccolte consentono di cogliere uno spaccato molto genuino del vissuto educativo odierno, soprattutto scolastico, e delle sfide che si trova ad affrontare un educatore. Ma anche di raccogliere modelli e buone pratiche frutto della competenza dei conduttori e della creatività degli studenti.
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Starting in the early 1970s, a type of programmed cell death called apoptosis began to receive attention. Over the next three decades, research in this area continued at an accelerated rate. In the early 1990s, a second type of programmed cell death, autophagy, came into focus. Autophagy has been studied in mammalian cells for many years. The recen
Raffaello Borghini's Il Riposo (1584) is the most widely known Florentine document on the subject of the Counter-Reformation content of religious paintings. Despite its reputation as an art-historical text, this is the first English-language translation of Il Riposo to be published. A distillation of the art gossip that was a feature of the Medici Grand Ducal court, Borghini's treatise puts forth simple criteria for judging the quality of a work of art. Published sixteen years after the second edition of Giorgio Vasari's Vite, the text that set the standard for art-historical writing during the period, Il Riposo focuses on important issues that Vasari avoided, ignored, or was oblivious to. P...
Within a short time the Department of Drawings has acquired impressive holdings of European works on paper. This volume, the first in a series intended to keep scholars apprised of acquisitions, contains 149 entries on Italian, French, Flemish, Dutch, and other works ranging in date from the Renaissance through the nineteenth century. Artists represented include Rembrandt, Cezanne, Blake, Goya, Dürer, Savery, Rubens, Millet, Veronese, Caravaggio, Raphael, and numerous others. All drawings are illustrated at full-page size.
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