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Letters of Maria Jane Jewsbury, Addressed to Her Friends
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
Women Reviewing Women in Nineteenth-Century Britain
Focusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, mad...
Romanticism Gendered
This study focuses on the six writing men who have been throughout decades regarded as the alpha and omega of British Romanticism: Byron, Coleridge, Keats, Scott, Shelley, and Wordsworth. It sees these men as a representative cohort of their time and examines their letters as results of a reading process. Although letters are usually seen as additional sources of reference in literary studies, in this book they are treated as the dominant information material: correspondence enables to reconsider British Romanticism on the basis of the epistolary communication of the first half of the nineteenth century. The target information from the letters are references to women writers and to their wri...
Romantic Women Poets, 1770-1838
Although overshadowed by their male contemporaries, Wordsworth, Coleridge, Keats, Shelley and Byron, the women Romantic poets of the late 18th and early 19th centuries made a significant contribution to Romanticism. Nearly 40 poets are represented in this collection, including Elizabeth Barrett and Anna Seward, providing a comprehensive picture of female poetic activity from the earliest development of Romanticism to the advent of the Victorian era. The volume includes textual and thematic notes.
The Literary Protégées of the Lake Poets
Dennis Low's re-evaluation of the Lake Poets as mentors begins with the controversial premise that Robert Southey was one of the nineteenth-century's greatest champions of women's writing. Together with Wordsworth and Coleridge, Low argues, Southey tried to end what he perceived to be the cultural decline of literature by nurturing the creative talents of many exceptional women writers. Drawing on 3,000 unpublished manuscripts in England, Scotland and the United States, Low examines the lives and works of four of the Lake Poets' literary protégées: Caroline Bowles, Maria Gowen Brooks, Sara Coleridge and Maria Jane Jewsbury. Though diverse in terms of their literary production, these women were united in their defiant efforts to write against an increasingly stagnant cultural milieu and their negotiation, wholeheartedly encouraged by their mentors, of contemporary publishing mores. This scrupulously researched book is a valuable contribution to the study of little-known women writers and to our understanding of the literary and publishing environment of Britain in the 1820s and 1830s.
