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What kind of reciprocity exists between unequal partners? How can a 'culture' which makes no attempt to defend unchanging traditions be understood as such? In the Christian Philippines, inequalities - global and local - are negotiated through idioms of persuasion, reluctance and pity. Fenella Cannell's study suggests that these are the idioms of a culture which does not need to represent itself as immutable. Her account of Philippine spirit-mediumship, Catholicism, transvestite beauty contests, and marriage in Bicol calls for a reassessment of our understanding of South-East Asian modernity. Combining a strong theoretical interest in the anthropology of religion with a broader comparative attention to recent developments in South-East Asian studies, she offers a powerful alternative to existing interpretations of the relationship between culture and tradition in the region and beyond. This book addresses not only South-East Asianists, but all those with an interest in the anthropology of religion and post-colonial cultures. Power and Intimacy in the Christian Phillipines has won the Harry J. Benda prize for 2001.
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Isabelo’s Archive reenacts El Folk-Lore Filipino (1889), Isabelo de los Reyes’s eccentric but groundbreaking attempt to build an “archive” of popular knowledge in the Philippines. Inspired by Isabelo’s ghostly project, this collection mixes essays, vignettes, extracts, and notes on Philippine history and culture... Blending the literary and the academic, wondrously diverse in its range, it has many gems to offer the reader.
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Presents an alphabetical listing of information on the peoples of Asia and Oceania including origins, prehistory, history, culture, languages, and relationships to other cultures.
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Over 5,000 entries arranged in four parts. Part I comprises reference and general works to provide a guide to information on Southeast Asia. Part II provides the setting of space and time. Part III features the people and Part IV the many facets of culture and society — language; ideas, beliefs, values; institutions; creative expression; and social and cultural change. Within each section, the arrangement is geographical, beginning with Southeast Asia as a whole followed by the various countries in alphabetical order.