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The Shock of Recognition
In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso’s and Einstein’s educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso’s and Einstein’s professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation’s focus on an inventory of the natural world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century.
Information Letter
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Modernidade : anais do IV Congresso Brasileiro de História da Arte
Anais do IV Congresso Brasileiro de História da Arte, realizado pelo Comitê Brasileiro de História da Arte, CBHA, realizado de 5 a 9 de novembro de 1990 na Universidade Federal do Rio Grande do Sul, e publicado pelo Instituto de Artes da UFRGS.
Actes
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Slavery in the Age of Memory
Exploring notions of history, collective memory, cultural memory, public memory, official memory, and public history, Slavery in the Age of Memory: Engaging the Past explains how ordinary citizens, social groups, governments and institutions engage with the past of slavery and the Atlantic slave trade. It illuminates how and why over the last five decades the debates about slavery have become so relevant in the societies where slavery existed and which participated in the Atlantic slave trade. The book draws on a variety of case studies to investigate its central questions. How have social actors and groups in Europe, Africa and the Americas engaged with the slave past of their societies? Ar...
Caldeirão de bruxas
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Handbook of International Futurism
The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentiet...
Latin American Art
This is the first comprehensive and authoritative survey of an important and increasingly popular field. Because each of the contributors is an expert on his or her own national art, it is also the first to present a genuinely Latin American viewpoint. 17 scholars, critics and curators provide an exciting and challenging new assessment of twentieth-century Latin American art. The wider public and scholars alike will welcome the full treatment of the different histories and cultural traditions that have given each country its own character. Major artists such as Wifredo Lam, Frida Kahlo, Diego Rivera and Fernando Botero are seen in a wider context, and the exploration of the rich and important heritage of previously overlooked countries such as Ecuador, Peru, the Dominican Republic, Paraguay and Bolivia will be a revelation to many. Springing from complex cultural roots, Latin American art is fresh, varied and often startling in its originality. Its vast range and astonishing qualities are represented here in over 300 outstanding images.
