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When Modern Became Contemporary Art
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead...
Imperial Emotions
Examines the politicisation of empathy across the British empire during the nineteenth century and traces its legacies into the present.
Numinous Fields: Perceiving the Sacred in Nature, Landscape, and Art
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its cha...
The Piranesi Effect
The work of Italian printmaker Giovanni Battista Piranesi (1720–1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne. The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi’s work throughout the years. The book brings together Australian and international experts who investigate Piranesi’s world and its connections to the study of art and the practice of artists today. From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.
Photography, History, Difference
Over the past decade, historical studies of photography have embraced a variety of cultural and disciplinary approaches to the medium, while shedding light on non-Western, vernacular, and "other" photographic practices outside the Euro-American canon. Photography, History, Difference brings together an international group of scholars to reflect on contemporary efforts to take a different approach to photography and its histories. What are the benefits and challenges of writing a consolidated, global history of photography? How do they compare with those of producing more circumscribed regional or thematic histories? In what ways does the recent emphasis on geographic and national specificity...
Saatchi Gallery in Adelaide
Saatchi Gallery in Adelaide: British Art Now brings together the audacious best of contemporary art straight from London's internationally acclaimed Saatchi Gallery - arguably the biggest influence on contemporary British art over the past 25 years. It features groundbreaking works that challenge conventional artistic sensibilities, created by more than forty of the new generation of daring British contemporary artists. Also featured with Saatchi Gallery in Adelaide is Tracey Emin's controversial My Bed, one of the most iconic works of art of the twentieth century. My Bed sparked a furore as a Turner Prize nomination in 1999 for its confessional revelations of the artist's sexual exploits and self-destructive lifestyle and became a signifier for the 'shock' strategies of the YBAs.
Official Gazette
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Foundational Fictions in South Australian History
In this lively, provocative collection, some of Australia's leading historians - and a Miles Franklin shortlisted historical novelist - challenge established myths, narratives and 'beautiful lies' about South Australia's past. Some are unmasked as false stories that mask brutal realities, like colonial violence - while others are revealed as simplistic versions of more complex truths. 'Each generation writes history that speaks to its own interests and concerns,' write historians Paul Ashton and Anna Clark. In Foundational Fictions in South Australian History, which grew out of a series of public lectures at the University of Adelaide, an impressive range of contributors suggest different wa...
Knowledge of Higher Worlds
A catalog of the first American exhibition of Rudolf Steiner's blackboard drawings at the University of California, Berkeley Art Museum. The drawings were created by the scholar and mystic during his lectures from 1919 to 1924, and were preserved in the form of color chalk on black paper. Each color illustration is accompanied by a quote from the l
A Beautiful Line
This book will explore the richness and diversity of Italian printmaking from the Renaissance to Baroque from the collection of the Art Gallery of South Australia. Spanning from the mid-fifteenth century to the end of the eighteenth century, the book will highlight some of the major printmakers of the period from Andrea Mantegna to Giovanni Battista Piranesi through 30 short essays (500-1000 words). The publication will be divided into three parts, with three introductory essays (2,000 -3,000 words) exploring the development of printmaking and its techniques from early Italian engraving and woodcuts of the fifteenth and sixteenth centuries; the birth of etching and its flowering in the sixte...
