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Fifty-seven Irish immigrant laborers arrived in the port of Philadelphia in June 1832 to work on Pennsylvania's Philadelphia and Columbia Railroad. They all perished within six weeks. Contractor Philip Duffy hired them to work a stretch of track in rural Chester County known as Duffy's Cut. For more than 180 years, the railroad maintained that cholera was to blame and kept the historical record under lock and key. In a harrowing modern-day excavation of their mass grave, a group of academics and volunteers found evidence some of the laborers were murdered. Authors and research leaders Dr. William E. Watson and Dr. J. Francis Watson reveal the tragedy, mystery and discovery of what really happened at Duffy's Cut.
A novel about men returning from war, and the women who love them, by “a young writer full of energy and promise” (Jennifer Egan, author of Manhattan Beach). Becca Keller is no stranger to the way war can change a man. Her Vietnam veteran father, King, suffered after his service, and as a result played only a limited role in his daughter’s life. Now Becca is marrying Ben, who is also just back from battle—and her mother, convinced that Becca is making the same mistakes she did, boycotts the wedding. Ben does indeed seem different after his second tour, and only days after she marries him, he turns dangerous. Desperate, Becca turns to her father for help. But he is heading west with his motorcycle buddies—out to a place they call Kleos, a mysterious desert compound ruled over by a guru-like commanding officer. It serves as a refuge for some soldiers, but it might be the death of others. There, Becca will be faced with the possibility that she may not know the real damage in her loved ones’ hearts. In finally seeing her father’s demons, she might just be able to start a journey back to peace with her husband.
In the ancient Mediterranean world, the sea was an essential domain for trade, cultural exchange, communication, exploration, and colonisation. In tandem with the lived reality of this maritime space, a parallel experience of the sea emerged in narrative representations from ancient Greece and Rome, of the sea as a cultural imaginary. This imaginary seems often to oscillate between two extremes: the utopian and the catastrophic; such representations can be found in narratives from ancient history, philosophy, society, and literature, as well as in their post-classical receptions. Utopia can be found in some imaginary island paradise far away and across the distant sea; the sea can hold an un...
It takes an effort to think of a scene or person and match it with a single scent. But catch even the slightest whiff of a poignant smell, and you'll be flooded with memories and associations so vivid you can almost taste them. A Mother's Bouquet pairs that chemistry and emotion with a charming collection of stories, factoids, literary excerpts, recipes, and quotes about mothers and grandmothers - all with an olfactory glow.Readers will revel in the evocative fragrance of the four scent patches scattered throughout this book- apple pie, talcum powder, gardenias, and perfume. These universally appealing maternal aromas enhance the sensual text and whimsical illustrations for a winning combina...
Elizabeth Vandiver examines the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Vandiver argues that classics was a crucial source for writers from a wide variety of backgrounds, from working-class poets to those educated in public schools, and for a wide variety of political positions and viewpoints. Poets used references to classics both to support and to oppose the war from its beginning all the way to the Armistice and after. By exploring the importance of classics in the poetry of the First World War, Vandiver offers a new perspective on that poetry and on the history of classics in British culture.
In this selective overview of scholarship generated by The Hunger Games—the young adult dystopian fiction and film series which has won popular and critical acclaim—Zhange Ni showcases various investigations into the entanglement of religion and the arts in the new millennium. Ni introduces theories, methods, and the latest developments in the study of religion in relation to politics, audio/visual art, new media, material culture, and popular culture, whilst also reading The Hunger Games as a story that explores the variety, complexity, and ambiguity of enchantment. In popular texts such as this, religion and art—both broadly construed, that is, beyond conventional boundaries—converge in creating an enchantment that makes life more bearable and effects change in the world.
The collegia centonariorum were often seen as the municipal fire-brigades or status groups of sorts in the Roman cities. Through a close investigation of the chronological development and geographical distribution of the collegia centonariorum, their legal privileges, and the prosopographical data of members and patrons, this volume reveals a much more complex picture of their origins, characters and compositions in various regions from the first century BC to the fourth century AD. Intricately connected with the textile economy, the collegia centonariorum illustrate how elements as diverse as material demand from the military and the city of Rome, legal infrastructure, urban development, and organizations of urban-based craftsmen and tradesmen may have interfaced with each other in the Roman world.
Nearly two years after the harrowing events of The Straits of Galahesh, Atiana and Nikandr continue their long search for Nasim. The clues they find lead them to the desert wastes of the Gaji, where the fabled valley of Shadam Khoreh lies. But all is not well. War has moved from the islands to the mainland, and the Grand Duchy knows its time may be limited if Yrstanla rallies its forces. Worse, the wasting disease and the rifts grow ever wider, threatening places that once thought themselves safe. The Dukes believe that their only hope may be to treat with the Haelish warriors to the west of Yrstanla, but Nikandr knows that the key is to find Nasim and a lost artifact known as the Atalayina. Will Nikandr succeed and close the rifts once and for all? The answer lies deep within the Flames of Shadam Khoreh. From Bradley P. Beaulieu, author of the critically acclaimed debut novel, The Winds of Khalakovo, comes the concluding volume in the Lays of Anuskaya trilogy, The Flames of Shadam Khoreh.
For all its concern with change in the present and future, science fiction is deeply rooted in the past and, surprisingly, engages especially deeply with the ancient world. Indeed, both as an area in which the meaning of "classics" is actively transformed and as an open-ended set of texts whose own 'classic' status is a matter of ongoing debate, science fiction reveals much about the roles played by ancient classics in modern times. Classical Traditions in Science Fiction is the first collection in English dedicated to the study of science fiction as a site of classical receptions, offering a much-needed mapping of that important cultural and intellectual terrain. This volume discusses a wid...
Boudica introduces readers to the life and literary importance of Boudica through juxtaposing her literary characterizations in Tacitus and Cassius Dio with those of other women and rebel leaders. Literary comparisons assist in the understanding of Boudica as a barbarian, queen, mother, commander in war, and leader of revolt.