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An illuminating history of state-building, nationalism, and bureaucracy, this book tells the story of how an international cohort of Austrian officials from Bohemia, Hungary, the Hapsburg Netherlands, Italy, and several German states administered Galicia from its annexation from Poland-Lithuania in 1772 until the beginning of Polish autonomy in 1867. Historian Iryna Vushko examines the interactions between these German-speaking bureaucrats and the local Galician population of Poles, Ukrainians, and Jews. She reveals how Enlightenment-inspired theories of modernity and supranational uniformity essentially backfired, ultimately bringing about results that starkly contradicted the original intentions and ideals of the imperial governors.
Galicia was created at the first partition of Poland in 1772 and disappeared in 1918. Yet, in slightly over a century, the idea of Galicia came to have meaning for both the peoples who lived there and the Habsburg government that ruled it. Indeed, its memory continues to exercise a powerful fascination for those who live in its former territories and for the descendants of those who emigrated out of Galicia. The idea of Galicia was largely produced by the cultures of two cities, Lviv and Cracow. Making use of travelers' accounts, newspaper reports, and literary works, Wolff engages such figures as Emperor Joseph II, Metternich, Leopold von Sacher-Masoch, Ivan Franko, Stanisław Wyspiański, Tadeusz "Boy" Żeleński, Isaac Babel, Martin Buber, and Bruno Schulz. He shows the exceptional importance of provincial space as a site for the evolution of cultural meanings and identities, and analyzes the province as the framework for non-national and multi-national understandings of empire in European history.
The Origins of Modern Polish Democracy is a series of closely integrated essays that traces the idea of democracy in Polish thought and practice. It begins with the transformative events of the mid-nineteenth century, which witnessed revolutionary developments in the socioeconomic and demographic structure of Poland, and continues through changes that marked the postcommunist era of free Poland. The idea of democracy survived in Poland through long periods of foreign occupation, the trials of two world wars, and years of Communist subjugation. Whether in Poland itself or among exiles, Polish speculation about the creation of a liberal-democratic Poland has been central to modern Polish polit...
This book examines the promotion and reception of the image of Franz Joseph (Habsburg emperor from 1848 to 1916) as a symbol of common identity in the Austrian half of the Habsburg Monarchy (Cisleithania). In the second half of the nineteenth century and the first decades of the twentieth century the promotion of the cult of the emperor encouraged a Cisleithania-wide culture of imperial celebration. On Franz Joseph's birthdays and jubilees, cities produced special theater productions, torchlight parades, and ethnic/historical processions. Thousands of voluntary associations sponsored local festivities. Hundreds of thousands of villagers and townspeople set transparent portraits of Franz Jose...
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Michał Łuczewski opowiedział historię Polski w sposób, w jaki jeszcze nigdy nie została opowiedziana. Piszą ją nie dominujące elity, ale przedstawiciele warstwy zmarginalizowanej: chłopi ze wsi Żmiąca w Beskidzie Wyspowym. Dzięki poprzednim monografiom tej wsi (Franciszka Bujaka z 1903 i Zbigniewa Wierzbickiego z 1963 roku), które uczyniły z niej najdłużej badaną miejscowość w naukach społecznych, a także dzięki wieloletnim poszukiwaniom samego autora udajemy się w pasjonującą podróż od średniowiecza po współczesność. I dowiadujemy się, jak Polacy stali się narodem i jak naród stał się katolicki. Książka ukazuje, jak polskie ideologie narodowe – od s...
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"An analysis of the conditions of Galician society - its social structure and dynamics, political and economic status, and cultural level and aspirations - is followed by chapters on music as a commercial pursuit, as civic and moral pedagogy, as an expression of cultural identity, as communal experience, as status symbol, and as an expression of political attitudes of the Galicians. These themes illustrate the cultural use of music in Galician schools, theaters, musical societies, choirs, public concerts, and homes.".