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NADA New York
Published by Minerva, on the occasion of the exhibition: "NADA New York", Andy Boot, Jonny Niesche, Joshua Petherick, Marian Tubbs, 14. 05. - 17. 05. 2015
Tubbs
None
A Van Tuyl Chronicle
Ghiysbrecht van Tuyl, a knight, and his wife Agnes serve the Duke of Gerle (now province Gelderland in the Netherlands) in the 14th century. In the 17th century, the line branched when descendants emigrated to the US. Each branch is traced to the late 20th century.
Dictionary of Pseudonyms
Substantially revised and enlarged, this new edition of the Dictionary of Pseudonyms includes more than 2,000 new entries, bringing the volume's total to approximately 13,000 assumed names, nicknames, stage names, and aliases. The introduction has been entirely rewritten, and many previous entries feature new accompanying details or quoted material. This volume also features a significantly greater number of cross-references than was included in previous editions. Arranged by pseudonym, the entries give the true name, vital dates, country of origin or settlement, and profession. Many entries also include the story behind the person's name change.
Voice of the Artist
This publication looks at how copyright affects art and its dissemination in today's digital age by asking the question: how do artists maintain ownership and authenticity in an environment where we have little control over how art and images are shared?Featuring a collection of articles, conversations and case studies in which artists, academics and arts industry professionals, Voice of the Artist explores more deeply the complexities facing creators and their collective experience with copyright.
Kerr
None
George Kerr and Sarah Lavina Adams: Their Ancestors and Descendants
William Kerr was born in 1815 in Ireland. He was in Sullivan Township, Grey County, Ontario, Canada in 1861 and appears as a taxpayer in Elderslie Township, Bruce County, Ontario, Canada.
Intensities and Lines of Flight
The writings of Gilles Deleuze and Felix Guattari offer the most enduring and controversial contributions to the theory and practice of art in post-war Continental thought. However, these writings are both so wide-ranging and so challenging that much of the synoptic work on Deleuzo-Guattarian aesthetics has taken the form of sympathetic exegesis, rather than critical appraisal. This rich and original collection of essays, authored by both major Deleuzian scholars and practicing artists and curators, offers an important critique of Deleuze and Guattari's legacy in relation to a multitude of art forms, including painting, cinema, television, music, architecture, literature, drawing, and installation art. Inspired by the implications of Deleuze and Guattari's work on difference and multiplicity and with a focus on the intersection of theory and practice, the book represents a major interdisciplinary contribution to Deleuze-Guattarian aesthetics.
Lindsey; [book of Remembrance
"In the year 1768, in a Scottish settlement in North Carolina, James Lindsey, the writer's ancestor, was born. James married Ruth Howard, also of Scottish parentage, who was born in 1770, in the same settlement."--Page 1. The place and date of James Lindsey's death is not known. His wife Ruth Howard Lindsey died after 1850 probably in Alabama. Descendants and relatives lived in North Carolina, Alabama, Texas, Mississippi, Oklahoma, Ohio, California, Tennessee, Florida, Alabama, Utah, New Mexico, South Carolina and elsewhere
