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Poems of the Five Mountains
This second, revised edition of a pioneering volume, long out of print, presents translations of Japanese Zen poems on sorrow, old age, homesickness, the seasons, the ravages of time, solitude, the scenic beauty of the landscape of Japan, and monastic life. Composed by Japanese Zen monks who lived from the last quarter of the thirteenth century to the middle of the fifteenth century, these poems represent a portion of the best of the writing called in Japanese gozan bungaku, “literature of the five mountains.” “Five mountains” or “five monasteries” refers to the system by which the Zen monasteries were hierarchically ordered and governed. For the monks in the monasteries, poetry ...
Japanese Ghost Stories
Many of the ghost stories of Japan came to the fore during the Edo period with its famous woodblocks of ukiyo-e, the floating world. With a new introduction, this collection of Japanese ghost stories brings together fantastic tales of vengeful spirits, mountain-dwelling phantoms, man-eating oni, haunted trees, and child-rearing ghosts, with stories such as Yuki-Onna, Hoichi the Earless, The Ghost of O-Kiku from The Bancho Sarayashiki, the sorry tale of O-Iwa from the Yotsuya Kaidan, The Peony Lantern and The Ghost Who Bought Candy. Japan has a long and ancient custom of sharing stories of the supernatural, brought to fashionable prominence in the Kaidan literature of the Edo period, now presented here for the modern reader. FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.
Rethinking Japan Vol 1.
These papers explore the debate over new directions in Japanese studies.
The Aesthetics of Discontent
This series of interpretations of selected classics examines premodern Japanese literature from the perspective of conflictual ideologies. Professor Marra's analysis of such works as the Ise Monogatari, the Hojoki, and Tsurezuregusa highlights the existence of discontent in the authors of the so-called high tradition and explains the means these authors used to express their social dissatisfaction in literary texts. His aim is to recover the validity of the historicist approach in literary studies by focusing on the importance of the context in the formation of the text. The text is seen as a product of ideological manipulation on the part of those who, by reading, writing or editing, appropriate it according to specific and private concerns. Professor Marra displays both sensitivity to the texts and a comprehensive grasp of Japanese and Western scholarship in making his argument that aesthetics and politics in premodern Japanese literature are mutually defining.
No Moonlight in My Cup
This work is an anthology of 225 translated and annotated Sinitic poems (kanshi 漢詩) composed in public and private settings by nobles, courtiers, priests, and others during Japan’s Nara and Heian periods (710-1185). The authors have supplied detailed biographical notes on the sixty-nine poets represented and an overview of each collection from which the verse of this eminent and enduring genre has been drawn. The introduction provides historical background and discusses kanshi subgenres, themes, textual and rhetorical conventions, styles, and aesthetics, and sheds light on the socio-political milieu of the classical court, where Chinese served as the written language of officialdom and the preeminent medium for literary and scholarly activity among the male elite.
Narratives of Sorrow and Dignity
Bardwell L. Smith offers a fresh perspective on mizuko kuyo, the Japanese ceremony performed to bring solace to those who have experienced miscarriage, stillbirth, or abortion. Showing how old and new forms of myth, symbol, doctrine, praxis, and organization combine and overlap in contemporary mizuko kuyo, Smith provides critical insight from many angles: the sociology of the family, the power of the medical profession, the economics of temples, the import of ancestral connections, the need for healing in both private and communal ways and, perhaps above all, the place of women in modern Japanese religion. At the heart of Smith's research is the issue of how human beings experience the death of a life that has been and remains precious to them. While universal, these losses are also personal and unique. The role of society in helping people to heal from these experiences varies widely and has changed enormously in recent decades. In examples of grieving for these kinds of losses one finds narratives not only of deep sorrow but of remarkable dignity.
Traditional Japanese Literature
Traditional Japanese Literature features a rich array of works dating from the very beginnings of the Japanese written language through the evolution of Japan's noted aristocratic court and warrior cultures. It contains stunning new translations of such canonical texts as The Tales of the Heike as well as works and genres previously ignored by scholars and unknown to general readers.
Sand and Pebbles
Sand and Pebbles presents the first complete English rendering of Shasekishū--the classic, popular Buddhist "Tale Literature" (setsuwa). This collection of instructive, yet often humorous, anecdotes appeared in the late thirteenth century, within decades of the first stirrings of the revolutionary movements of Kamakura Buddhism. Shasekishū's author, Mujū Ichien (1226-1312), lived in a rural temple apart from the centers of political and literary activity, and his stories reflect the customs, attitudes and lifestyles of the commoners. In Sand and Pebbles, complete translations of Book One and other significant narrative parts are supplemented by summaries of the remaining (especially didac...
