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An anguished god surveys a world stricken by fundamentalism in these powerful poems by a writer whose cultural experience spans three countries: Pakistan, the country of her birth, and Britain and India, her countries of adoption. Her main themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror, and latterly, grief. She is also an accomplished artist, and all her collections are illustrated with her drawings, which form an integral part of her books. Postcards from god was her first book from Bloodaxe. It combines two collections published separately in India, Purdah (1989) and Postcards from god (1994). In Purdah she memoria...
This Is Life Seen Through Distorting Screens A Windscreen, Tv Screen, Newsprint, Mirror, Water, Breath, Heat Haze, Smokescreen. The Terrorist At My Table Asks Crucial Questions About How We Live Now Working, Travelling, Eating, Listening To The News, Preparing For Attack. What Do Any Of Us Know About The Person Who Shares This Street, This House, This Table, This Body? When Life Is In The Hands Of A Fellow-Traveller, A Neighbour, A Lover, Son Or Daughter, How Does The World Shift And Reform Itself Around Our Doubt, Our Belief? Imtiaz Dharker S Poems And Pictures In This Book Hurtle Through A World That Changes Even As We Pass. The Book Grows, Layer By Layer, Through Three Sequences The Terrorist At My Table , The Habit Of Departure And Worldwide Rickshaw Ride Each Cutting A Different Slice Through The Terrain Of What We Think Of As Normal. But Through All The Uncertainties And Concealments, Her Poems Unveil The Delicate Skin Of Love, Trust And Sudden Recognition.
Adapted from the Charpentier "Te Deum in D Major" with an original school-friendly text, this is an accessible and positive way to ease your students into singing timeless choral music. An optional trumpet adds to the classic character. Majestic!
Imtiaz Dharker S Cultural Experience Spans Three Countries. Born In Pakistan She Grew Up In Glasgow, And Now Divides Her Time Between Bombay And London. It Is From This Life Of Transitions That She Draws Her Themes: Childhood, Exile, Journeying, Home And Religious Strife. In Her Latest Work, The Woman S Body Is A Territory, A Thing That Is Possessed, Owned By Herself Or By Another. The Title Of The Book Speaks For The Devil In Acknowledging That In Many Societies Women Are Respected, Or Listened To, Only When They Are Carrying Someone Else Inside Their Bodies A Child; A Devil. For Some, To Be Possessed Is To Be Set Free. Dharker S Poems Trace A Complex And Revelatory Journey, Starting With A Striptease Where The Claims Of Nationality, Religion And Gender Are Cast Off, To Allow An Exploration Of New Territories. Strong And Economical, They Raise Issues Of Political Activity, Homesickness, Urban Violence And Religious Anomalies In The Most Ordinary And Unobtrusive Of Settings.
The creation and management of knowledge has become a central concern to business and management, both as a source of value and as an opportunity to achieve and sustain competitive advantage. This new book brings together leading thinkers in the area of knowledge and innovation management in a state of the art collection of studies in this field.
Imtiaz Dharker was born in Pakistan, grew up in Glasgow, and now divides her time between Bombay and London. Her main themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror. She is also an accomplished artist, and all her collections are illustrated with her drawings. "Leaving Fingerprints" is her fourth book of poems and drawings from Bloodaxe. In these poems, the only thing that is never lost is the Bombay tiffin-box. All the other things which are missing or about to go missing speak to each other - a person, a place, a recipe, a language, a talisman. Whether or not they want to be identified or found, they still send each other messages, scattering a trail of clues, leaving fingerprints.