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DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Volume XXIX of Studies in Contemporary Jewry provides a nuanced account of the history and development of Jewish humor, while also making a case for the importance of humor in studying any culture.
Viennese popular culture at the turn of the twentieth century was the product of the city’s Jewish and non-Jewish residents alike. While these two communities interacted in a variety of ways to their mutual benefit, Jewish culture was also inevitably shaped by the city’s persistent bouts of antisemitism. This fascinating study explores how Jewish artists, performers, and impresarios reacted to prejudice, showing how they articulated identity through performative engagement rather than anchoring it in origin and descent. In this way, they attempted to transcend a racialized identity even as they indelibly inscribed their Jewish existence into the cultural history of the era.
Jewish Presence on Semmering The Semmering – the popular summer and winter holiday destination has a long association with Jewish guests. This history dates back to the Jewish trade routes in the Middle Ages when merchants passed through the area, and it continues to the present day. With the expansion of the railway, elegant hotels were constructed, kosher infrastructure was offered, Jewish doctors opened facilities for treatments and cures, and sports and leisure culture developed. The Semmering became a destination for health tourism, as well as the center of vibrant social life: Celebrities like Sigmund Freud, Arthur Schnitzler, Berta Zuckerkandl, and others turned into regular guests....
Aside from the prominent perpetrators such as Adolf Eichmann, Josef Mengele or Klaus Barbie, there were numerous other cases of Nazis and Nazi sympathizers from Germany and Austria who ended up in Latin America after 1945. Their life trajectories, professional activities, and contacts to local elites in their new homes have hardly been subject to systematic research to date. Their new lives in Latin America, their careers e.g. as diplomats, secret service agents or scientists are therefore a main focus of this volume. The biographies of these people and their networks are woven into the larger political, social, and scientific contexts of postwar Europe and Latin America, especially in the early Cold War period.
This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.
What happens when Broadway goes abroad? Tell It to the World: The Broadway Musical Abroad offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It also shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States.
CHOICE Outstanding Academic Title, 2022 "When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.
This study examines the role played by regional cultures in modern art and visual culture in Central Europe between 1918 and 1938. Analysing paintings, photographs, prints, and illustrated magazines in relation to topics such as tourism, social activism, rural exoticism, gender, and ethnic diversity, the book offers a fresh perspective on Central European art and visual culture. It pays particular attention to Austria, a country often ignored in histories of modernism in Central Europe, yet one where the countryside gained high visibility as a part of modern culture between the wars. Examples from Czechoslovakia and Hungary also play an important role in comparison and challenge the national...
Uncovers a world of forgotten triumphs of musical theatre that shine a light on major social topics. This book is also available as Open Access on Cambridge Core.